Tag Archives: William Wordsworth

The Awesome Power of Pillar Rock

First scaled by a shepherd and eulogised by Wordsworth, Pillar Rock is a mountain cathedral that lured a Victorian vicar to his demise. It holds an enduring allure for climbers, but Wainwright declares it out-of-bounds for walkers. I enlist the help of a mountaineering & climbing instructor to get me to the top.

Mariner’s Mourning

In his poem, The Brothers, William Wordsworth tells the tragic tale of a mariner named Leonard, who returns to his home in Ennerdale to discover his beloved brother, James has died after falling from the top of Pillar Rock. Flushed with the success of his ascent, James had stretched out on the summit heath and fallen asleep, but his tendency to sleepwalk—a habit developed many years before, while pining for his seafaring brother—proved his literal downfall.

The poem was published in 1800, in Vol II of the Lyrical Ballads. In his notes, Wordsworth claims his inspiration came from a story told to him in the valley. If true, it would be the first known ascent of Pillar Rock, the dramatic freestanding outcrop from which Pillar Mountain takes its name.  Sadly, Wordsworth’s ballad is the only written record. 

Shepherd’s Delight

 “An isolated crag on the breast of a mountain flanking one of the most desolate of our Lake District dales. The very remoteness of its surroundings, as well as the apparent inaccessibility of its summit, no doubt fascinated as well as awed the shepherds.” So wrote H. M. Kelly in the 1923 guide to Pillar Rock he produced for the Fell and Rock Climbing Club. The first verified ascent, in 1826, was indeed by a shepherd and cooper, named John Atkinson. Rock climbing had long been a technique used by mountaineers to reach a summit, but during the nineteenth century, it evolved into a sport in its own right. Kelly recognises Atkinson’s feat as “the first seed”.

Pillar Rock

And that seed bore fruit. The same year, three more shepherds, J. Colebank, W. Tyson, and J. Braithwaite followed in Atkinson’s footsteps, and in 1870, Miss A. Barker became the first woman to make the climb. The second was Mary Westmorland, who climbed the rock in 1873 with her brothers, Thomas and Edward (best known for building the Westmorland Cairn on Great Gable). But Thomas’s subsequent report in the Whitehaven News provoked a sniffy but anonymous rebuttal:

“(I read) With incredulous amazement, the rhythmical account of an alleged ascent of the Pillar by two gentlemen and a lady, that in all probability what the Westmorland party climbed was not the Pillar Rock but Pillar Mountain a route which did not involve rock climbing to the summit”.

The Westmorlands were incensed, but their claim was soon verified when their friend and accomplished climber, George Seatree performed his own ascent. Seatree found a bottle on the summit containing the names of those distinguished individuals who had reached the spot before him. Thomas, Edward, and Mary were on the list.

The Patriarch of The Pillarites

The anonymous correspondent consequently broke cover and retracted his remark. He was a retired clergyman and veteran of the Battle of Waterloo, named James Jackson. Jackson was an enthusiastic fellwalker with a talent was for self-aggrandisement. Some years before, while serving as Vicar of Rivington, he gained a level of local fame (or notoriety) when the weather cock blew off the church. Local steeple jacks refused to make the climb, so Jackson took it on himself to do so, successfully scaling the spire and repairing the weathervane. The act divided his congregation, some applauded his courage while others condemned it as foolhardy. Jackson of course subscribed to the former view and penned a short verse for the local paper:

“Who has not heard of Steeple Jack,
That lion-hearted Saxon,
Though I am not he, he was my sire,
For I am Steeple Jackson”

Jackson had set his heart on Pillar Rock but must have imagined it beyond his abilities. As an incorrigible chauvinist, he clearly took umbrage at being upstaged by Mary, but now saw an opportunity to distinguish himself as the eldest person to conquer the Pillar. He wrote to George Seatree asking him to be his guide, but Seatree refused. Undeterred, Jackson sought the guidance of a climber named John Hodgson, who took the seventy-nine-year-old to the summit via the Slab and Notch route. Jackson duly proclaimed himself, to anyone who would listen, The Patriarch of the Pillarites.

Pillar Rock from the path to Pillar summit
Pillar Rock from the path to Pillar summit
Hallowed Ground

By the late 1800’s, rock climbing had gained significant popularity, spearheaded by such notable pioneers as W P Haskett Smith, John Robinson, and Owen Glynne Jones. Jones’s book, Rock-Climbing in the English Lake District became a bestseller.  The book was published and illustrated by climbers and photographers, George and Ashley Abraham, who accompanied Jones on many of his exploits.  In the W. M. Crook memoir that prefaces the second edition, George Abraham recalls:

“Two climbs with Mr. Jones are most strongly impressed on our memories, and these two would probably rank as the two finest rock climbs made in our district. These are the Scawfell Pinnacle from the second pitch in Deep Ghyll in 1896, and the conquest of the well known Walker’s Gully on the Pillar Rock in January 1899. Both of these were generally considered impossible.”

Graham leads the way up on to Pisgah from Jordan Gap
Graham Uney climbing out of Pisgah (on Pillar) the hard way, from Jordan Gap

Scafell Pinnacle and Pillar Rock demand a similar reverence. Jones said of Pillar Rock, “It springs up vertically from the steep fellside like a cathedral-front 500 feet high”. Wainwright described Scafell Pinnacle and its surrounding crags as a great cathedral. Each is buttressed by an easily scrambled rock called Pisgah, which takes the aspiring climber to within spitting distance of the true prize, only to find they are separated from it by a sheer drop, called the Jordan Gap.  The common names for these distinct features are inspired by the book of Deuteronomy, where God leads Moses to the top of Mount Pisgah and points across the River Jordan to the Promised Land.

Pisgah in front of Pillar Rock
Pisgah in front of Pillar Rock
Out of Bounds

Pillar Rock exerts an enduring allure for climbers and scramblers, but Wainwright declares it out-of-bounds for walkers—which presents a problem for anyone hoping to complete the Birketts. Bill Birkett’s guidebook, The Complete Lakeland Fells presents a list of Lakeland peaks over 1000 feet. They include 211 of the Wainwrights and 330 additional smaller summits. But there’s a sting in the tail. Birkett was a mountaineer who thought nothing of including Pillar Rock.

Fortunately, mountaineering & climbing instructors like Graham Uney offer roped and guided scrambles to fellwalkers who are ready to step out of their comfort zone. Last year, I climbed Pinnacle Ridge on St Sunday Crag with Graham, and this year, I signed up for Pillar Rock.

Plans seldom survive contact with the weather, and the persistent threat of thunderstorms has meant we have had to reschedule three times. Sadly, my friend Nikki Knappett, who accompanied us on Pinnacle Ridge, has had to drop out. Finally, with the first week of September heralding the return of warm sunshine, we are able to fix a date for the Wednesday.

Pillar Rock – The Mountain Cathedral

In the meantime, my friend, John Fleetwood gets in touch.  John is an accomplished scrambler, who has revised the Cicerone scrambling guides to the Lakes.  He is also a brilliant photographer who deeply understands the spiritual rapport we develop with wild places. He has just published a book called Beyond the View, in which he gives full expression to this sense of rapture. It contains a chapter which presents mountains as nature’s cathedrals. John knows I am due to climb Pillar Rock with Graham and asks if I would like to go and have a look at it in advance. To him, like Owen Glynne Jones, it is a mountain cathedral, but to fully appreciate its awe-inspiring countenance, we should approach it the way Jones and Wordsworth describe. From below. From Ennerdale.

John looking toward Ennerdale Water
John looking toward Ennerdale Water

We park at Gatesgarth and climb Scarth Gap in early sun, Buttermere a tranquil mirror reflecting the chiselled majesty of Goat Crag. As we start to descend into Ennerdale, we fork right on a well-maintained path to cross the River Liza at a footbridge. As we enter the trees to start our ascent, the upward slope is severe, and the countenance of the walk abruptly changes from an amiable summer ramble to unforgiving slog. Pillar Rock is over 1000 ft above us, and to reach its foot is itself a challenge.

Buttermere and Goat Crag

John is a natural mountain hare. His pace doesn’t slacken. I fall behind and the order of the day is established—the hare’s swift legs will carry him far ahead, only to pause periodically to let his tortoise companion catch up.

Beyond the trees are stiff slopes of scree and stone, but with necks craned, the Rock towers into view above, an intimidating and awesome spectacle. Nervous anticipation serves as fuel to twinging calves, and the demanding terrain begins to feel like a quest or a pilgrimage—a test of our commitment.

Eventually, we reach its foot. A low rampart hugs the foot of the sheer northern cliff. Kelly calls it The Green Ledge. Above the ledge, slender plates of jagged slate rise skyward in a vertical array of niches and jutting icons, abstract and organic, vast and awe-inspiring, reinforcing the impression of an immense savage cathedral. It is daunting and humbling, and I feel my pulse quicken. And we can’t even see the top! This is the muscular buttress of Low Man. High Man, the summit, is set further back and not visible from this angle.

North Face of Pillar Rock
North Face of Pillar Rock
Walker’s Gully

We track round to the left where dolorous cleft of Walker’s Gully splits Pillar Rock from Shamrock, so named as from the east it appears to be part of the Pillar but is divided from it from it by a hollowed amphitheatre, a wide funnel of scree dropping into this sheer, narrow, dark and dank gully. Walker’s Gully is a highly misleading moniker. Could anywhere be less walker-friendly? Indeed, it is named after an unfortunate young man who fell here in 1883. Jones made this ascent in 1899, deep in winter and after days of torrential rain. His party were obliged to stand under an icy waterfall, and Jones had to remove his boots to climb out of a cave through a narrow hole in the roof. Standing barefoot in the snow nearly gave him frostbite. Despite his immense achievement, Jones’s chief account of Pillar Rock is of seconding John Robinson on an assault of the formidable north face. The Walker’s Gully report is included as an appendix, penned by George Abraham. Jones never got the chance to write it himself. He died some months later in an accident on Dent Blanche in the Swiss Alps. The second edition of his book was published posthumously.

Walker's Gully
Walker’s Gully
The Old West Route (as a Spectator)

We track beneath the Green Ledge and climb the steep slopes on the western side on a sketchy sheep trod. John perches on a rock and gazes up at the west face, High Man now towering above us like a jagged pyramid.

“Are you going up?” I ask.

“Thinking about it,” he replies. “Do you want to give it a go?”

He points out the line of the Old West Route (the way Atkinson ascended nearly 200 years ago). It looks doable, but it disappears on to Low Man, and John tells me it gets trickier after that. We don’t have a rope, so I would have to be sure I could get down again. Eventually, I decide discretion is the better part of valour and decline. John picks his way up the diagonal rake, and I watch conflicted, my heart desperate to follow, but my legs relishing the rest. I watch climbers on the northern corner of the west face and soak up the astonishing power of this vast natural edifice. Eventually, I hear a shout and look up to see John waving from the top. His descent is more circumspect, and when he reaches the bottom, he tells me I made a good decision. The rock on this side has escaped the morning sun. It’s still very wet and much trickier than anticipated.

Climbers on the corner of the West Face
Climbers on the corner of the West Face
Slab and Notch

We work up the stiff scree beside Pisgah and make the comparatively easy scramble to its top. The top feels tantalisingly close to High Man, but a sheer drop to Jordan Gap and the formidable wall beyond bar progress. Down to the east, we watch climbers traversing a crack in a large sloping slab. John tells me this is the slab of the Slab and Notch route and points out the notch some way above it. This is the route I’ll be taking with Graham. It looks dry, and suddenly I can’t wait for Wednesday.

Pisgah with Pillar Rock behind
Looking down to the Slab and Notch route
Looking down to the Slab and Notch route
Climbers at the start of Slab and Notch
Climbers at the start of Slab and Notch
Mountain Memorials

When the day arrives, I meet Graham in the car park at Wasdale Head and we climb the path to Black Sail Pass, deep in conversation. The sky is clear, the sun is beating down, and it feels more like June than September. I’m parched by the time we reach Looking Stead, where we leave the main path to Pillar Summit and descend on to the High Level Traverse. This was the route popularised by John Robinson and his fellow Victorian climbers. Two thirds of the away along stands the Robinson Cairn, built in 1907 as a memorial to the great man by 100 of his comrades and friends.

Pillar Rock from the Robinson Cairn
Pillar Rock from the Robinson Cairn

At the eleventh hour, Jen Hellier has stepped in to take Nikki’s place, and she’s arranged to meet us here. She’s beaten us to it and is waiting when we arrive. After a brief chat, we set off for Great Doup (Pillar Cove on OS maps). Jen and Graham have both served with Mountain Rescue and are soon swapping anecdotes. I listen with deep interest and a burgeoning respect for the dedication involved. With the heat, our water bottles are already half depleted. Fortunately, Graham knows of a half-hidden spring. As he replenishes our supplies, I look around. Somewhere near here, there is an unobtrusive cross carved into the rock with the initials JJ. It was commissioned by John Robinson, Charles Baumgartner and one other in 1906. It commemorates James Jackson, who having succeeded in a second attempt to climb Pillar Rock, tragically fell to his death on a third. A cairn and iron cross erected on the spot where he was found were destroyed by storms, so the cross was conceived as an enduring memorial. The third commissioner was George Seatree, who, despite his initial misgivings, maintained a regular correspondence with Jackson and clearly warmed to him.

James Jackson's Memorial Cross (photo by Jen Hellier)
James Jackson’s Memorial Cross (photo by Jenny Hellier)
James Jackson's Memorial Cross (photo by Jen Hellier)
James Jackson’s Memorial Cross (photo by Jenny Hellier)
Hand to Rock

Ahead the cliffs of Shamrock rise like a wall, as yet indistinguishable from Pillar Rock itself. A broad sloping pavement cuts across, rising diagonally. This is the Shamrock Traverse. When we reach the far end, the sham is revealed. The broad sloping dish of the amphitheatre separates Shamrock from the much larger Pillar, which now looms above.

East Face of Pillar Rock from Shamrock

We stash our rucksacks at the base of Pisgah, refuel with a quick snack, and retrieve the rope, climbing racks and harnesses. It’s time to tackle Slab and Notch.

Scrambling up to the start of Slab & Notch

We descend into the amphitheatre. The way is steep and loose, and I accidentally dislodge a stone, prompting a tongue-in-cheek rebuke from Jen. When, to my shame, I do it again, she names me the Phantom Rock Slinger. We scramble up to the start of our climb. There are two ways on to the Slab. The first is easier, but then requires working down the Slab. Graham would find it hard to protect us with a rope this way, so he opts for climbing an 8 ft cleft in the wall. It’s somewhat daunting as to the right is a sheer drop, but we rope up and once on belay, we follow his lead, Jen going second and me last. As soon as we put hand to rock, the sense of exhilaration soars, and we’re already buzzing as we step out on to the Slab and start to traverse the crack, now performing the manoeuvre I watched from Pisgah, four days earlier.

Graham climbing up on to the Slab
Graham climbing up to the Slab
Jen and George on the Slab - photo by Graham
Jen and George on the Slab (photo by Graham Uney)

The Notch is high above us, and we watch Graham scale the rocky shoulder that leads up to it. Jen has a little climbing experience, which makes me the out-and-out novice. I relish the opportunity to learn and watch how Jen deftly tackles the same moves. Hand and foot holds are plentiful and soon, we are climbing through the gap to join Graham on the ledge beyond. We traverse around a corner to a smooth rock beneath a vertical wall. Graham walks straight over it, while Jen tracks below for better handholds—it takes her right out on the edge. Lacking Graham’s balance and Jen’s courage, I opt for walking over, my palms pressed against the wall in the hope of staying stable. The next pitch is a rocky ladder. We attach ourselves to the cam Graham has wedged in the rock and watch as he climbs and disappears from view.

Graham below the Notch
Graham below the Notch
Graham climbing towards the Notch
Graham climbing towards the Notch
Graham crossing the Notch
Graham crossing the Notch
Jen after being lowered into Jordan Gap
Jen in Jordan Gap towards the end of our adventure
Jen climbing a rocky ladder
Jen climbing a rocky ladder

A minute or two later, we hear him exclaim, “Oh no, oh no!”

We look at each other in alarm, but Jen is perceptive, and her expression changes to one of recognition.

“That’s not ‘oh no, there’s something wrong’”, she suggests. “It’s ‘oh no, there’s something unpleasant’”.

A minute later, we hear Graham’s voice, “Someone’s had a poo up here!”

I don’t know whether I’m relieved or revulsed. Then I realise it’s both simultaneously. We climb the rocks above with an uneasy sense of anticipation and arrive at a natural alcove, big enough for the three of us to stand in a circle, only there is a tiny cairn in its midst—Graham’s commendable attempt to bury the unwelcome human offering—presumably an involuntary reaction to the significant exposure. I clamber onto a rocky shelf to give us all more room and look up. The contents of the cairn are forgotten instantly as I take in just where we are. Vaulting walls of rock reach skyward, a cavernous gully—the nave of the great savage cathedral.

Walls of rock vaulting skyward
Walls of rock vaulting skyward
Jen on the rocky staircase to the summit
Jen on the rocky staircase to the summit

Our onward route lies along a narrow ledge and up the final craggy staircase to the summit. As Jen seeks out holds for the final climb, she turns to me and says exactly what is going through my own mind, “I don’t want this to end”.

Approaching the summit - photo Graham
Approaching the summit (photo by Graham Uney)

The summit is unexpectedly broad and grassy, and the views are utterly edifying. Wispy strands of cirrus fleck a deep blue sky over the mottled green of High Stile and the darker distant peaks of Newlands and Coledale. While Graham secures a rope to lower us into Jordan Gap before our final scramble up and over Pisgah, Jen and I wander round enrapt, drinking it all in. It would take a lot of bottles to hold the names of all those who’ve made this ascent since Seatree’s time, but it still feels as if we’ve joined a select band; and the experience, though tame by the standards of Atkinson or Jones, or Fleetwood and Uney, is something that will stick with me forever.

The author on the summit
The author on the summit

Info / Sources / Further Reading

Find Graham Uney on Facebook at:

https://www.facebook.com/grahamuneymountaineering

… or through his website:

https://www.grahamuneymountaineering.co.uk/classic-scrambles

John Fleetwood’s book, Beyond the View is a beautiful and thought-provoking exploration of our spiritual rapport with wild places. It is available here:

https://payhip.com/b/ghKFq

H. M. Kelly’s guide to Pillar Rock and Neighbouring Climbs can be found in PDF form here:

Frank Grant on Footless Crow and Raymond Greenhow on Scafell Hike have both written fascinating and detailed pieces on the Reverend James Jackson. Both are well worth a read:

Footless Crow:

http://footlesscrow.blogspot.com/2015/03/the-pillarite-patriarch.html?m=1

Scafell Hike:

https://scafellhike.blogspot.com/2019/06/reverend-james-jackson-memorial-cross.html?m=1

Green Mind

Dow Crag and Coniston Old Man from Torver

All through lockdown, distant Dow Crag reminded me of where I longed to be. No surprise that’s where I would head when restrictions lifted, ascending from Torver, past a magnificent waterfall born of childhood mischief. During the months away, I read Norman Nicholson’s The Lakers. At its core is the environmental message Wordsworth & Ruskin learned from Lakeland. In the time of COVID, it is more relevant than ever.

John Ruskin spoke of a “plague wind”: a “strange bitter biting wind” that would cast the sky in a “dry black veil”, impenetrable to sunshine; it could carry terrible thunderstorms, “rolling incessantly, like railway luggage trains, quite ghastly in its mockery of them—the air one loathsome mass of sultry and foul fog, like smoke”. It would blanche the sun and blight the air before “settling down again into Manchester’s devil’s darkness”.

To Ruskin the wind was a physical phenomenon, as if a meteorological distortion, provoked by the sulphurous smog belched forth by the Victorian cities of England’s Industrial Revolution. But in his book, The Lakers, Norman Nicholson counsels against taking this too literally; at home on the eastern shore of Coniston Water, Ruskin must have breathed some of the cleanest air in England. To Nicholson, Ruskin’s plague wind was a metaphor, a symbol of the spiritual corrosion which mass industrialisation had wrought.

The Lakers is a beautifully written account of Lakeland’s early tourists, its guide-book writers and apostles. It examines how industrialisation and our mass migration to urban living provoked a love affair with Cumbria’s fells and dales. “The Middle Ages had seen the village as a small clearing of order among the illimitable wilderness of nature; the seventeenth century saw the mountains as the last defiance of disorder among the colonies of civilisation”. In the centuries to come, however, a collective desire to escape into England’s last great wilderness would germinate and grow strong. By Ruskin’s time, the urban pride of the seventeenth century was ringing hollow. As Nicholson puts it:

“The first great thrust of the Industrial Revolution had overstretched itself; the muscles were beginning to sag, the energy to fail. In the parlours, the drawing-rooms, the pews, all was still comfortable and secure; but in the back-alleys, the rotting cottages, the slave factories, there was the strain and anger of a society at one and the same time vigorous and stunted, opulent and starved. In spite of all the clangour of the railways, the grasp and grab of trade, the grandiloquence of empire, the flags, the dividends, the Harvest Festivals, the brass bands, the gold watches and Prince Albert himself, there was hidden somewhere in every Victorian a tired, rather frightened, rather lost little dog that wanted to crawl under the table and sleep.”

We had become divorced from nature, shut off from its rhythms and cycles. It had become something to pave over, to hide, to tame; and as we lost sight of our own place within it, it simply became a resource to plunder and exploit. Yet, when the sterility and artifice of urban living began to pall, it was nature we craved as a diversion, as an escape, as therapy, as spiritual replenishment: “The gentry, the manufacturers, the professional people, blowing their noses on the stench and stew of the money-grubbing cities, rushed to the Lakes to forget it all, at least for a fortnight.”

Were Ruskin or Nicholson alive today, 2020 might have brought an uncanny sense of déjà vu: not just Britain, but the whole world is in the grip of literal plague wind, a pandemic, which has forced us through months of domestic confinement in a desperate bid to contain its spread. The meteorological effect of lockdown has been the polar opposite of Ruskin’s apocalyptic vision, however. China’s industrial cities, the twenty-first century’s inheritors of Victorian England’s smog, have seen blue sky for the first time in decades. And here in the post-industrial UK, where air pollution now comes from the incessant combustion of petrol, diesel, and jet fuel, we’ve witnessed a canopy free of vapour trails, and air filled, not with the unbroken hum of traffic, but with birdsong. It might have been a romantic stretch of the imagination, but in those first months of lockdown, it really did seem as if the planet was breathing a huge sigh of relief. Now, our desire to escape to our green spaces is stronger than ever.

From his home at Brantwood, John Ruskin looked over Coniston Water to the Coniston mountains.  My house doesn’t share his panorama; trees and foothills obscure most of the range; but I can see Dow Crag. In line with government guidelines and the wishes of Mountain Rescue, I kept away from the high fells until late July. But the sight of Dow Crag, its buttresses and gullies rendered in sharp relief by startling spring sunlight, was a daily reminder of where I longed to be. No surprise then, that I should head for Torver when restrictions relax.

Dow Crag
Dow Crag

In the days before magazines, songs, poems, stories, and political and religious tracts were distributed in the form of chapbooks—short, cheaply produced publications that were sold by itinerant pedlars and hawkers, known as chapmen. Disparaged in literary circles as “penny dreadfuls” and feared by the establishment as channels for subversive ideas, chapbooks were, for many, their window on the wider world. One such chapbook put Torver on the map. It included a report entitled, “a New Prophesy”—the lurid account of the vision experienced by an 8 year old Torver girl, who had lain in a trance for three days. It was billed as a “an alarm from heaven to the inhabitants of the earth, giving an account how crying sins of the day and time do provoke the Almighty; with strange and wonderful things, as a warning to this last and worst age, agreeable to the Holy Scriptures and divine revelation: the like never published”. In the girl’s revelation, “The envious and discontented were howling like mad dogs: the oppressors of the poor were trodden under foot by the devils in the burning flames; in the midst of which lake were the swearers, lyars, and covetous persons, bearing the wrath of God to all eternity!”

I make a mental note to mind my language as I pull up in Torver and pop the suggested number of coins into the car park’s honesty box.

Wainwright described this way up Dow Crag as “the natural line of approach”, and, “the most attractive, for when the woods of Torver are left behind the view forwards to the great buttresses of Dow Crag grows more dramatic with every step”. He’s spot on. At this early hour, Wetherlam is indistinct in shadow and the Old Man, dark-tinged, but Dow Crag is already vividly illuminated by the morning sun, its wrinkled face a huge elephantine hide, riven by deep gullies into shapes that resemble a petrified parade of prehistoric creatures.

Before long, the path splits. The right hand fork crosses Torver Beck and climbs between spoil heaps to the deep pit of Banishead Quarry. Wainwright’s map notes simply, “there is much of interest to see here”. The Southern Fells was published in 1960, so Wainwright would have researched it in the late 1950’s. Whether the waterfall was yet to exist, or whether it was simply too new and contentious to be guaranteed a future, I couldn’t say, but AW’s circumspection hints at, but never actually mentions, the quarry’s crowning glory.

Banishead Waterfall
Banishead Waterfall

The waterfall is not a natural feature, it was born of mischief in the 1950’s, and we have three local boys to thank. Their playground was the quarry pit and the beck that ran past its top. One day, in a daring flash of inspiration, they hit on the idea of moving rocks to divert part of the flow into the pit. Their endeavours that afternoon yielded a small trickle, but after tea, one of the boys returned with his brother and a mattock; their renewed efforts produced the cascading majesty of the cataract that now plunges into the pool. An anonymous narrator recounts the story beautifully on the Torver website. So familiar with the finer details is the narrator, he even knows what they ate for tea.

Today, the waterfall is magnificent surprise, concealed until the last minute when it springs a vista as arresting as it is unexpected. A vast chute of white spray hurtles headlong down a vertical wall of cut stone, striped orange and black with lichen. It falls into a dark pool, its surface as glassy and reflective as polished granite, except where it escapes the shadow to turn sapphire, fringed green with a leafy canopy of tree cover.

Banishead Waterfall
Banishead Waterfall

For most of the Victorian era, the definitive guide to the Lakes was one written by Harriet Martineau and published in 1855.  Martineau was a prolific author and social reformer who did much to improve the lot of rural communities in the Lakes.  Her early life was dogged with illness, and she was rendered largely immobile when diagnosed with a uterine tumour at the age of 37. Remarkably, five years later, she underwent a course of mesmerism and declared herself cured. She relocated to Ambleside and embraced the outdoors with a physical vigour that matched her formidable mental strength.  When I first read some of her suggested excursions, I wondered if she had ever actually walked them.  Scafell Pike via Rosset Pike and Esk Hause, returning by Tarn Crag and Easedale Tarn, leaving time to explore Grasmere, before travelling to Ambleside to tackle Nab Scar in the afternoon, anyone? Such reservations are dispelled when you discover that this was a woman who took daily walks of six to eight miles before breakfast at 7:30.

Ahead of me, above an expanse of moorland, lies the Walna Scar road. There can be no doubt that Harriet knew this area, her account is replete with such intimate detail:

“Amidst the grassy undulations of the moor, he (the walker) sees, here or there, a party of peat-cutters, with their white horse; if the sun be out, he looks absolutely glittering, in contrast with the brownness of the ground. It is truly a wild moor; but there is something wilder to come…The precipice called Dow (or Dhu) Crag appears in front ere long; and then the traveller must turn to the right, and get up the steep mountain-side to the top as he best may. Where Dow Crag and the Old Man join, a dark and solemn tarn lies beneath the precipice… Round three sides of this Gait’s Tarn, the rock is precipitous; and on the other, the crags are piled in grotesque fashion, and so as to afford, —as does much of this side of the mountain,—a great harbourage for foxes, against which the neighbouring population are for ever waging war.”

Dow Crag from Old Man
Dow Crag from Old Man
Great Gully
Great Gully

When I reach the old quarry road, the precipice towers ahead, an awe-inspiring wall of cliff and cleft. Wainwright rates it second only to Scafell Crag in its sublime grandeur. Gait’s Tarn, or Goat’s Water, is hidden from view; it is a further climb through the Cove to reach it. That will be my way down.  The ridge running left from the summit, over Buck Pike and Brown Pike, will be my way up; so I turn left and follow the Walna Scar road up to the Walna Scar pass, detouring right to visit the tranquil oasis of Blind Tarn, an ephemeral ripple of mossy reflection under the green skirts of the crags.

Blind Tarn
Blind Tarn

From the pass, I follow the steep path up Brown Pike, where a stone shelter offers respite long enough to sip coffee and look back at the long silver sliver of Coniston Water, glimmering in the distance. Along the onward path, the hunched shoulders of the Old Man form an imposing bulk of blue and green beyond the slender pyramid of Buck Pike. From the top of Buck Pike, a grassy ridge leads to Dow Crag’s summit. Along its precipitous edge, slender crevices plunge into the deeper chasms of Great and Easy Gully. A simple scramble gains the highest point. To the west, across a sea of green foliage and white rock, the darker summits of the Scafells are constantly retouched by the fleeting flicker of sun and shadow: a scene of wild vitality; a Van Gogh painting animated into life.

Old Man over Buck Pike
Old Man over Buck Pike
Gully top
Gully top

I follow the ridge path down to Goat’s Hause, and with my lockdown legs bearing up, continue up on to the Old Man, where a small party of young women are in jubilant spirits; the euphoria of the peaks after the shackles of lockdown, perhaps, but it seems like something more.  One of them is draped in an Olympic cape.  I ask her if they’re raising funds for charity.

“No,” she says. “The cape is from the Olympics. I was part of the women’s hammer-throwing team. But since then, I sustained a serious back injury that put me in hospital for ages. I was told I might never walk again. I was determined to prove them wrong, and I made a bucket list of all the things I wanted to do when I got better.  Climbing the Old Man was one.”

“I’m a bit sweaty,” she grins when I congratulate her. “It’s hard work. Give me an Olympic final, any day!”

Low Water from Old Man
Low Water from Old Man
Old Man Trig Point
Old Man Trig Point

As I descend the zig zag path to the shore of Goat’s Water, I’m elated to be here again; but at the same time, I’m as reflective as its copper-green surface.  Last time I took this path, three shepherds and their tireless dogs were bringing a Herdwick flock down off the fells, a practice that goes back centuries. My thoughts return to Nicholson. At its heart, his book is study of folly. The folly of the Picturesque. The folly of “landscape”.  Most of those early apostles of the Lake District were as guilty as the industrialists in misunderstanding the land and our relationship with it. They saw it as something distinct from us; something to be marvelled at; something to be captured on a canvas and hung on the wall of a civilised townhouse. William Wordsworth was different. He understood how disconnected we had become from the ecosystems we are part of. In the traditional farming communities of the Lakes, he saw a unity between man and the land, which he exalted as a blueprint for how things ought to be. By Nicholson’s time, Wordsworth was massively popular, but his message had been largely lost. He’d become the Sunday School impression of a poet, a purveyor of pretty words about lakes, and daffodils, and quaint rustic traditions.

Dow Crag over Goat's Water
Dow Crag over Goat’s Water

Yet these days, Wordsworth is enjoying something of a re-evaluation as an early environmentalist. The need to heed his message has never been more urgent: COVID-19 is the latest in wave of viruses that have made the transition from animals to humans, a phenomena scientists are linking directly to our relentless destruction of habitats and wild places.  Today’s extinction rate is hundreds, maybe even thousands, of times higher than the natural base rate. The first species to go are usually larger mammals. Their disappearance, in turn, triggers an explosion in the populations of smaller mammals like rodents—those species most likely to spread disease to us. Declining insect populations affect pollination and result in crop failures.  The devastating wildfires in Australia and California are directly linked to global warming.  And yet we describe environmental initiatives as “saving the planet”, as if the planet is some nice-to-have pleasure park that we enjoy at weekends. By destroying ecosystems that we are part of, we are, quite simply, sowing the seeds of our own destruction.  It’s not just about saving the Black Rhino or the Amur Leopard, ultimately, it’s about saving ourselves. To think otherwise is to be a man relentlessly sawing away at the branch that he’s sitting on while his  companion begs him to stop for the sake of the bird’s nest further along.

We urgently need to change: to find more sustainable ways of sustaining ourselves. Yet, it seems a problem so insurmountable, we are inclined to bury our heads in the sand: slam activists as scaremongers, deny climate change; deny COVID, even.  And yet, if lockdown has taught us anything, it’s that we are actually very good at adapting.  When the offices closed, huge numbers of employees switched to homeworking in days; complex systems that companies had procrastinated on for years were deployed in weeks. All of a sudden, vast numbers of us discovered we can do our jobs from anywhere, without burning daily excesses of petrol, diesel, or jet fuel. Innovation abounds. When we up against it, we are capable of the most remarkable things. I think of Harriet Martineau’s miraculous recovery, and of a jubilant girl in an Olympic cape, conquering the Old Man of Coniston. 

Nicholson dreamed of a time when we would achieve a “new synthesis of the scientific and imaginative vision”:

“Then perhaps, we may be able to look at the fells of Cumberland with a new understanding. For they rear themselves in the middle of our civilisation like an ancient boulder lying in a garden. An archaism, belonging to the world of nature as it was long before man came to look at it; belonging, also, to the world which will survive man. They are a sign both of what man comes from and what he is up against. They may be mapped, footpathed, sign-posted, planted with conifers, gouged with quarries, titivated with tea-shops. They may even, in some gigantic explosion, be blown out of shape. Yet they will remain the same, for they are a fact, a fact we cannot alter and perhaps cannot even understand. They are the past which shaped us and the future in which we shall have no shape. To talk of preserving them is both irrelevant and irreverent. All that matters is how long they will allow us to preserve ourselves”.

– Norman Nicholson
Dow Crag over Goat's Water
Dow Crag over Goat’s Water

Sources/Further Reading

Read the story of how the Banishead Waterfall came into being as told by one who was there:

http://www.torver.org/torver-history/banishead-quarry

David Attenborough’s Extinction sets out the science that links destruction of habitats and our current biodiversity crisis with the rise in pandemics (still available to view on iPlayer at the time of writing).

http://bbc.co.uk/programmes/m000mn4n

Norman Nicholson’s The Lakers is well worth a read, if only for the beauty of his writing. It is out of print, but second-hand copies can be found. Here are the details of the Cicerone paperback edition:

Nicholson, Norman. 1955: The Lakers. Milnthorpe: Cicerone, 1995

The Lakers
The Lakers

In this excellent edition of the CountryStride podcast, farmer and author, James Rebanks, explains how he, and many of his neighbours, are moving to a more sustainable and wild-life friendly form of farming: Lakeland farmers returning to the traditions that inspired Wordsworth:

https://www.countrystride.co.uk/post/countrystride-38-james-rebanks-english-pastoral


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    Pedestrian Verse

    St. Sunday Crag, Fairfield, Seat Sandal & Grisedale Tarn

    Inspired by the words of National Trust founder, Canon Hardwicke Rawnsley, I trek over St. Sunday Crag, Fairfield and Seat Sandal to Grisedale Tarn, where a prized Celtic crown lies deep in the water, a spectral army stands guard, and a lonely rock bears a poignant inscription from William Wordsworth to his shipwrecked brother, John.

    “A sparrowhawk swung out from the crags, and the swifts screamed at us while we watched him. St. Sunday Crag itself cannot be viewed to finer advantage than from here, and the little Cofa Pike, like a watchtower guarding the portcullis, was a remarkable feature in the near foreground.

    One was sorely tempted to climb Cofa and drop down upon the narrow neck that divides Fairfield from St. Sunday Crag—for St. Sunday Crag is said to be one of the few mountain heights that can boast remarkable flowers and plant growth—but we contented ourselves with the marvellous beauty of the colouring of the red bastions of Helvellyn as they circled round to Catchedecam, with the ebon-blue water patch of Grisedale Tarn in the hollow. With memories of Faber’s love of that upland lake, and of Wordsworth’s last farewell to his sailor brother on the fell beside the tarn, we turned our faces from the battle-ground of the winds to Great Rigg, but not before we had wondered at the piling up of the gleaming cloud masses above the long range of High Street to the west, and the sparkling of the jewel of Angle Tarn between Hartsop Dod and the Kidsty Pike.”

    Grisedale Tarn and Seat Sandal from Fairfield

    Thus wrote Canon Hardwicke Rawnsley of a walk upon Fairfield—“the battle-ground of the winds”—in 1911. Rawnsley was a vicar, a social reformer and a conservationist to whom us Lakes lovers owe a significant debt. Influenced by William Wordsworth and John Ruskin, Rawnsley believed that education and immersion in nature were key to improving the lot of the impoverished. His work began in the slums of Bristol where he arranged classes and country walks for the residents of Clifton, one of the city’s poorest areas. In 1878, he moved to Cumbria to become vicar of Wray. Five years later, he moved to the parish of Crosthwaite on the outskirts of Keswick.  Here, he and his wife, Edith, founded the Keswick School of Industrial Arts as an initiative aimed at tackling the widespread unemployment that dogged the town during the winter months.

    The school began in 1884 as free evening classes in the parish rooms offering professional instruction in wood carving and decorative metalwork. The proceeds from sales of the work were used to fund tuition and materials, and the school rapidly gained a reputation for quality. By 1890, it was winning prizes in national exhibitions, and by its tenth year, it had outgrown the parish rooms and was obliged to move into purpose-built premises, where it continued for ninety years, finally closing in 1984.

    Understandably, Rawnsley’s belief in the benefits of the natural landscape burgeoned with his move to Lakeland, and he became an ardent conservationist, battling against the proliferation of both slate-mining and the public transport network. He campaigned to keep footpaths and rights of way open and quickly realised the biggest threat to the landscape and its traditions came from private property developers. In 1895, together with Octavia Hill and Robert Hunter, he founded the National Trust for Places of Historic Interest or Natural Beauty.  The Trust aimed (as it still does) to acquire and hold land to protect it from development.  Thanks to the efforts of Rawnsley, Hill and Hunter (and the bequest of Rawnsley’s protégé, Beatrix Potter), the establishment of the Lake District National Park was made possible.

    On this occasion, Rawnsley had climbed Fairfield from Grasmere via Stone Arthur and would return down the ridge from Great Rigg to Nab Scar—half of the horseshoe that remains the most popular way to ascend the mountain. But for my money, the finest way up is the one he gazes over: St. Sunday Crag and Cofa Pike.

    St. Sunday Crag
    St. Sunday Crag

    Inspired by Rawnsley’s words I ready myself for the route. I see a sparrowhawk before I even leave the house. It’s perched on an old wooden chair in the garden, beneath the bird feeder, wondering why the gang of sparrows that perennially besiege the spot have all mysteriously disappeared. By the time I reach Patterdale, the sun is out, marking a welcome change in what has so far been an underwhelming August.

    Sparrowhawk
    Sparrowhawk

     I’m heading for Birks but intend to forego the summit in favour of the path that crosses its north-western shoulder and provides spectacular views over Grisedale to Striding Edge, Nethermost Pike and Dollywagon Pike. I was there in February when the Helvellyn massif was a dark volcanic rampart, frosted with snow and illuminated in a spectral light that would have had you believe you had somehow traded Wainwright for Tolkien’s Pictorial Guides to Middle Earth. I’m keen to see how it has transformed in high summer. 

    Striding Edge from Birks
    Striding Edge from Birks
    Striding Edge & Dollywagon Cove
    Striding Edge & Dollywagon Cove

    It’s a tough old pull up Birks, but the backward prospect of Ullswater stretched out below, a cool blue languid pool, gives ample excuse to stop. Over a rickety stile, I gain the clear path that traverses the shoulder. The summit is up on my left, but to my right, the slopes fall steeply away to Grisedale, and across the valley are the flanks of Helvellyn, with Striding Edge a crowning wall, ahead.

    Ullswater from Birks
    Ullswater from Birks

    Some argue these fells assume their true mountain character in winter, shorn of green vegetation, their physiques chiselled, their craggy profiles sharpened and highlighted with snow. But only a churl would deny the splendour of their summer majesty; their lower slopes mottled as they are now, olive, gold and forest green; higher daubs of purple heather are stippled with exposed stone, tinged coral pink by the ever shifting splashes of sun that dance across their sides. A slim stream of silver tinkles down from the dark cliffs of Nethermost Pike to meet a broad river of light cascading over Dollywagon to illuminate its lower crags. If you don’t believe in magic, you have simply never stood here in February and then again in August.

    Nethermost Pike
    Dollywagon Pike
    Dollywagon Pike
    Nethermost Pike
    Nethermost Pike
    Helvellyn from St Sunday Crag
    Helvellyn from St Sunday Crag

    The gentle shoulder affords a temporary respite from the steepness of the incline, but beyond the col with St. Sunday Crag, the strenuous effort resumes. The stiff climb finally relents, but the remaining ground to the summit presents a fresh challenge—the wind is gusting hard. Rawnsley’s “battle-ground of the winds” has extended along the ridge. Even if I had his botanical insight, today might not be the time to study the “remarkable flowers and plant growth”. Simply staying upright is taxing, but it’s edifying, and just beyond St. Sunday Crag’s summit is a sight to further lift the spirit.

    In the distance, the mighty trinity of Fairfield, Seat Sandal and Dollywagon Pike form a circle as if to guard something of value in their midst. That something is Grisedale Tarn. From here, it looks like a dewdrop in the hollow, or perhaps a tear shed for the last king of Cumbria—a deep well of myth and religious impulse.

    Grisedale Tarn between Fairfield, Seat Sandal and Dollywagon Pike
    Grisedale Tarn between Fairfield, Seat Sandal and Dollywagon Pike

    Rawnsley talks of “Faber’s love of that upland lake”. Frederick William Faber was a theologian and hymn writer, and a friend of William Wordsworth, who would take long vacations in the Lake District to soothe the spiritual and intellectual stress of wrestling with divergent forms of the Christian faith. In 1840, he published a poem, Grisedale Tarn, in which he imagined that if he were “a man upon whose life an awful, untold sin did weigh,” then here is where he would build a hermitage.

    Grisedale Tarn
    Grisedale Tarn

    John Pagen White’s poem, King Dunmail, tells a darker story that links the Tarn with the large pile of stones at Dunmail Raise. According to the legend, Dunmail was the last king of Cumbria, a kingdom that then stretched as far north as Glasgow. This Celtic stronghold had long resisted subjugation by the Saxons and the Scots but was finally overthrown when they joined forces. Dunmail was supposedly slain at Dunmail Raise and his men are said to have built the large cairn to mark his grave. As White puts it:

    Mantled and mailed repose his bones
    Twelve cubits deep beneath the stones
    But many a fathom deeper down
    In Grisedale Mere lies Dunmail’s crown.

    Dunmail’s crown held magical powers and his dying wish was that it should be kept from Saxon hands. A small cohort of his men took the crown and fought their way to Grisedale Tarn where they cast it in. To this day, they keep a spectral guard, and every year their apparitions carry another stone from the tarn to Dunmail Raise.

    And when the Raise has reached its sum
    Again will brave King Dunmail come;
    And all his Warriors marching down
    The dell, bear back his golden crown.

    Grisedale Tarn
    Grisedale Tarn

    It’s a long descent to Deepdale Hause, and from the trough, the sight of Cofa Pike towering above is formidable. In actual fact, the path cuts a canny zigzag up through the crags and three points of contact aren’t required quite as often as you’d imagine. On a good day, it’s an exhilarating airy scramble, but as I start up its slopes, the heavens open and the wind whips the rain into a stinging scourge.

    Cofa Pike from St Sunday Crag
    Cofa Pike from St Sunday Crag

    In the notes to his poem, White suggests the idea of Dunmail, and King Arthur, as once and future kings may have been a legacy of the Vikings. In old Norse belief, Odin would enact a winter trance in which he rode across the sky, accompanied by wolves, ravens and an army of the dead, in pursuit of a wild boar or, in some versions, a whirlwind. Shortly after dispatching his quarry, the god himself would die, only to be born again when next he was needed. In the eye of a mountain storm, it’s a dramatic notion and one that haunts as I tread lightly over the slender summit of Cofa and climb into the mist atop the Battleground of the Winds.

    Cofa Pike from Fairfield
    Cofa Pike from Fairfield
    Cofa Pike from Fairfield

    Thankfully, the rain is easing by the time I negotiate the steep eroded path down to Grisedale Tarn. As I lose height, I come into the lee of Seat Sandal and the wind abates. After Birks, St. Sunday Crag and Cofa Pike, another stiff ascent will be taxing, but Seat Sandal shows no mercy. As I scramble up its rock steps, I’m passed by two fell runners. I catch up with them at the top. Above, the clouds are rolling back, and down towards Grasmere, summer is re-revealing itself.

    “They’ve got sunshine down there”, one says.

    “And beer”, replies the other.

    And with that, they take off down the southern ridge.

    Down the valley towards Grasmere

    I sit awhile in the shelter of the summit wall, then retrace my steps down to the water’s edge, now dark and inscrutable as the legend it harbours. Beyond the far shore, I follow the stepping-stones across the tarn outlet to join the Patterdale path.  In the shadow of Dollywagon’s Tarn Crag, I keep my eyes peeled for a brass sign affixed to the top of a hefty boulder.

    Wordsworth Brothers Parting Stone
    Wordsworth Brothers Parting Stone

    Here did we stop; and here looked round
    While each into himself descends,
    For that last thought of parting Friends
    That is not to be found.


    Brother and Friend, if verse of mine
    Have power to make thy virtues known,
    Here let a monumental Stone
    Stand–sacred as a Shrine;

    The words are William Wordsworth’s, inscribed on a slab set into a rock that stands about 200 metres from the path. The stone is now so weather-beaten, the words are hard to read, but they combine two halves of different stanzas from Wordsworth’s Elegiac Verses, written, “In Memory of My Brother, John Wordsworth, Commander of the E. I. Company’s Ship, The Earl Of Abergavenny, in which He Perished by Calamitous Shipwreck, Feb. 6th, 1805”

    This is the spot where the brothers bade farewell, neither knowing it would be for the last time.

    The brass sign says, “The Brothers Parting, Wordsworth”. It was a later addition, intended, I suppose, to highlight the stone’s whereabouts to those passing along the path. I confess to having walked by unawares before, but after reading Raymond Greenhow’s blog, I’ve come looking for it. Raymond’s article provides rich historical detail and tells the little-known story of how the brass sign went missing just before the outbreak of WWI. It was retrieved, some years later, from Grisedale Tarn, where, like Dunmail’s crown, it had apparently been flung.

    Wordsworth Brothers Parting Stone
    Wordsworth Brothers Parting Stone

    Inspired by Wordsworth’s elegy, Raymond asks an interesting question: “What would you say if you knew it was the last you would ever see of your kin”? This gets right to the heart of why this simple inscription retains such power to move. Wordsworth elevates his account of his brother’s loss above the personal and speaks to us all about our own uncomfortable farewells to those we love. It captures the awkward reticence, the sense of something left unsaid, that intangible emotion we perpetually fail to put into words. There will, we assume, be time enough for that anon. But what if that opportunity is denied us as it was for William?

    Robbed of the opportunity to ever see his brother again, the Lake Poet wishes for a monumental stone to stand on this spot as a shrine to John. That wish was granted some thirty years after the William’s death by the Wordsworth society and Canon Hardwicke Rawnsley… And here it stands, a monument to fraternal love, near the site of Faber’s imagined hermitage and the watery refuge of a lost Celtic crown, it’s inscription now as spectral as Dunmail’s army.

    When in late September 1800, John, William and their sister, Dorothy, said their last goodbyes, William and Dorothy returned to Grasmere, but I turn now in the opposite direction and follow in John’s footsteps—down through Grisedale to Patterdale.

    Grisedale Tarn and Dollywagon Pike
    Grisedale Tarn and Dollywagon Pike from Seat Sandal

    Further Reading

    Raymond Greenhow’s blog on the Brother’s Parting Stone is well worth a read:

    https://scafellhike.blogspot.com/2019/08/the-wordsworth-brothers-parting-stone.html

    … as is the Grisedale Family blog, which has an interesting quote from Dorothy Wordsworth about her brother, John, and features the full Elegiac Verses at the end:

    https://grisdalefamily.wordpress.com/tag/brothers-parting-stone/

    You can find Frederick William Faber’s poem, Grisedale Tarn, here:

    https://www.poetrynook.com/poem/grisedale-tarn

    … but you’ll have to look for John Pagen White’s Lays and Legends of the English Lake Country (1923), which contains his King Dunmail, in printed form, or search harder than I on t’Internet.


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