Tag Archives: Coniston

Fell Walk, General, Ghost Story, Lake District, Legend, Literature, Mountains

Troubled Waters – The Unquiet Graves of Coniston

September 24, 2023 George Kitching 12 Comments

The ghosts of two ill-fated lovers haunt Yewdale Beck, the victims in a centuries-old tale of abduction, murder, and revenge. The spirit of a Victorian smuggler disturbs a young family in 1960’s Skelwith; and Dow Crag is home to an ancient raven, condemned by a Druid to live for millennia.

Under Yewdale Bridge the beck burbles over a bed of smooth stone, its waters glossed with the warm patina of antique pewter, like the dull sheen of old tankards in a tavern, and with just as many stories to tell.

A little way up the lane, The Cumbria Way leaves Shepherd’s Bridge to shyly handrail Yewdale Beck through Blackguards Wood to Low Yewdale, where it forks right to the dappled shade of Tarn Hows Wood, and beyond to the tarns themselves.

On the way, the outstretched limbs of broadleaf trees escape their leafy boas to point bony fingers earthward as if betraying unseen secrets. And over the lush green canopy and carpet of summer bracken, something more imposing looms. The vicious crags of the Yewdale fells rise like chiselled fangs of volcanic fury. Holme Fell is a mauve castle of rugged towers and ramparts, a primeval stronghold keeping eternal watch over the leafy pastures below.

A shower of summer rain softens the light, and as beams of sun slowly re-emerge to spotlight the higher crags of Wetherlam Edge, a rainbow forms over the Tilberthwaite Fells, imparting an air of eerie mystery. And such a feeling is fitting, as the banks of Yewdale Beck are supposedly haunted by the victims of an old and murderous misdeed.

The Giant and the Bower Maiden

Writing in 1849, Dr Alexander Gibson recounts a tale told to him by a racy, terse and poetic “rustic informant”. By Gibson’s time, after a century of neglect, Coniston Hall with its “ivy clad turret-like chimneys” had been repurposed as a barn. Until around 1650, it was the family seat of the Le Fleming family, the Knights of Coniston. When occasion demanded, it was the knight’s duty to raise a small army of men-at-arms to repel marauding bands of Scots or Irish. According to the tale, one of the knights had his efforts galvanised by the arrival of incomer from Troutbeck. The new recruit was a giant of a man, who had recently built himself a hut and taken up residence in “the lonely dell of the tarns” (now Tarn Hows). Standing 9’6” in his stockinged feet, this robust fellow was known as Girt Will O’ The Tarns. When not employed as foot soldier, Will was prized locally as an agricultural labourer.

The Lonely Dell of the Tarns (Tarn Hows)

Now, Le Fleming had a daughter named, Eva who was greatly admired for “her beauty and gentleness, her high-bred dignity and her humble virtues”. Lady Eva, as she was known, had a romantic inclination and loved to row for hours on the lake or stroll through the woods surrounding it. On such excursions, she was invariably accompanied by her favourite bower maiden, Barbara. Eva loved Barbara like a sister, and Barbara herself was so fair, she was capable of turning as many heads as her mistress, but despite a string of local suitors, Barbara only had eyes for Le Fleming’s falconer, a man named (fittingly), Dick Hawksley.

One fine evening, following days of heavy rain, Eva summoned Barbara for a moonlit stroll along the lake shore. As they made their way through the coppiced woods at the head of the lake, Barbara recounted how, on several recent occasions, she had been accosted by Girt Will as she rode to Skelwith to visit her family. Indeed, the last time, he had gone so far as to try and snatch her horse’s rein and might have pulled her from her mount had she not reacted quickly and spurred her steed into a canter. Just as Lady Eva was expressing her shock and indignation at such impertinence, a rustle in bushes cut her short, and in an instant Girt Will appeared. He straightaway snatched up Barbara with the ease that any ordinary man might lift a child, then set off at full tilt into the trees. Barbara’s screams quickly roused Eva from her momentary stupefaction, and she rushed back to the hall to summon help. Dick Hawksley and a few others gave chase on foot, while Eva’s brothers fetched their swords and called for their horses to be saddled.

The pursuers cornered their quarry where Yewdale Beck forms a small pool, known as Cauldron Dub, near Far End cottages on the outskirts of Coniston. With Barbara now a burden and an impediment to fight or flight, Girt Will perpetrated an act of barbaric callousness and hurled his helpless victim into the beck. The beck was in spate after days of heavy rain, and the raging torrent swiftly swallowed Barbara. Dick Hawksley wasted no time in diving in after her. Fleetingly, he reappeared pulling Barbara towards the shore, but the current was too strong, and the entwined lovers were swept headlong downstream. The stunned onlookers quickly divided into two parties, some running along the bank in the hope of affecting a rescue, while the others set off in pursuit of a Girt Will, who had taken advantage of their distraction to hot foot it toward Yewdale.

Any hopes of dragging the lovers from the swollen beck were dashed when they reached Yewdale bridge. The constriction of the channel under the stone arch forced the turbulent waters into a much faster surge, and Dick and Barbara were quickly swept from view.

Meanwhile, their avengers caught up with Girt Will between Low and High Yewdale. Wielding their swords, they succeeded in dodging his swinging club long enough to inflict a myriad of mortal cuts upon his person. Indeed, it was said there was not sufficient skin left on his body to fashion a tobacco pouch. A twelve-foot mound near the path from High Yewdale to Tarn Hows Wood has ever since been known as the Giant’s Grave.

Barbara and Dick remained lost for several days until their drowned bodies washed up on the shore of the lake, still entwined in a lovers’ clinch. The tragic violence of their deaths did not afford a quiet passage to the grave, however, and their spirits are said to haunt the stretch of Yewdale Beck between Cauldron Dub and the bridge.

The Spirit of a Smuggler

Today, below a shifting procession of pregnant cloud and shafts of sun, the waters of Tarn Hows glisten with the steely polish of armour plate, feathered with pinnate patterns of over-hanging rowan leaves and dotted with bunches of blood-red berries.

Beyond the tarns, I leave the Cumbria Way to climb to one of the finest viewpoints in the region, the low summit of Black Crag. Windermere and Coniston Water stretch out towards the Irish Sea like languid slivers of fallen sky, but as clouds gather in the west, Wetherlam and Langdale Pikes fade to grey, the spectral impressions of fells. They mark the bounds of bootlegger country, and it is the ghost of a bootlegger that hijacks my thoughts now.

In 1853, local papers excitedly reported the arrest of local smuggler and illicit whiskey distiller, Lanty Slee. Lanty remains something of a Robin Hood figure in the popular imagination, famous for robbing the excise men of their liquor duties by selling cheap moonshine (known as Mountain Dew) to the poor. In 1853, the excise men uncovered one of Slee’s stills in a purpose-dug cave in a field border to the west of Black Crag.

While the newspapers reported Lanty as resident at High Arnside Farm at the time of this arrest, contemporary historians like H S Cowper placed him at neighbouring Low Arnside. It is possible, he rented both properties at different times, or even together. One person with a special reason for believing Lanty lived at Low Arnside is Gordon Fox. Gordon and his wife, Barbara moved into the Low Arnside Farm in the early sixties, and they would soon come to associate Lanty with a different kind of spirit.

Black Crag Trig Point and Coniston Water

When I posted an article about Lanty, earlier this year, Gordon got in touch to share his story. Here it is in his own words.

“As you know Low Arnside is a most beautiful but remote lakeland farmhouse on the high fells above the Coniston road and was featured in the film, “Miss Potter”.

“In November 1961, my eldest son was almost born in the house due to his early arrival, but we did just make it to Kendal in time.

In order to ‘modernise’ the house ‘slightly’ electricity had been installed and whilst channelling the walls for the wiring the workmen discovered a dagger and a couple of lead bullets which had been buried under the plaster.

“Because of odd happenings in the house, we decided to have a Ouija board session one night and raised a spirit which gave us some very interesting information. The séance comprised my wife Barbara, myself, our friends, Stephen Darbishire, the painter and his wife the poet, Kerry Darbishire. During the course of this session, we raised the spirit of someone called Lanty Slee who told us the house was his and ‘always would be’.

“After a few more answers, he suddenly said that he could say no more. We asked why and his final remark spelt out that it was because of the presence of a ‘pure being’! Naturally we all wondered if he meant one of us. But we named all four of us and each time our question was met with, ‘no’. Then Barbara asked if it was the two months old Matthew peacefully sleeping upstairs and he answered at once, ‘yes’!..at which point all contact ceased.

“All activity in the house also ceased after that, which had recently comprised of him being so delighted with the arrival of electricity that “he” would switch the lights on and off in the middle of the night, to our already tired annoyance as new parents. So, when that all stopped it was a blessing.

“I would add that up until that time none of us had ever heard the name Lanty Slee.”

The Druid and the Immortal Raven of Dow Crag

From Black Crag and Low Arnside, I return by the eastern shores of Tarn Hows, and the high Coniston Fells command my attention once more. Wetherlam and the Old Man each dominate their own portion of the skyline but contrive to hide the majestic rock face of Dow Crag that lies beyond. Writing in 1908, W T Palmer recounts an old legend which claims Dow Crag is home to an immortal raven. Its immortality is a curse rather than a blessing, however, condemned as it is to grow ever older, frailer, and more and more world-weary, while perpetually denied the release of death.

The curse was a punishment, metered out by a Druid, for the raven’s catastrophic dereliction of duty. The bird was the Druid’s familiar. He was charged with watching over Torver as a sentinel. His job was to croak a warning when he saw the Roman army advancing. But the Druid awoke to find the Britons’ camp in flames and legionaries marching forward victorious, the raven perched atop their standard. On returning to his master, the bird faced and angry rebuke for his treachery. But he pleaded that it was not treachery but a terrible mistake. He had swooped down to attack and kill the yellow bird the Romans held proudly before them, but as his talons locked in on their target, he realised it was not a bird at all but an effigy of burnished bronze. Only then did he realise to his horror, he was too late to return and sound the alarm.

“Venerable bird,” said the Druid. “Venerable as myself and as old, I had it in mind to condemn these to die, but instead that shalt live, live on the topmost crag of Dow, till another army sweep away the Roman, and the yellow bird is carried southward over sands”.

The Romans did eventually leave southward over the sands, but to the raven’s eternal woe, the last legion became mired in a swamp on Torver Moor, where the standard bearer and his yellow bird were swallowed up. It is said they lie there still. And unless they are ever exhumed and the bird carried south over Morecambe Bay, Dow Crag will ever echo with the hoarse croaks of its ancient raven.

Fell Walk, General, Literature

Whitecoats: On the Path of the Plague Dogs, Part I

November 25, 2018 George Kitching 20 Comments

Raven Tor, Levers Hause and Seathwaite Tarn.

In Richard Adams’ 1977 bestseller, Plague Dogs, Rowf and Snitter are two dogs subjected to cruel experiments in a vivisection lab. When an unsecured catch and a loose bit of wire afford a means of escape, they find themselves in the Coniston Fells. Adams describes the landscape in vivid detail, and original editions of the book are illustrated in characteristic part sketch/part map style by one of Lakeland’s greatest apostles. Inspired by the story, I put on my boots and set off on the path of the Plague Dogs.

I’ve never read Watership Down. I was seven when it was published, but it didn’t cross my radar until the film of 1978. By then I was thirteen, and I’d just discovered Black Sabbath. I had long hair and a full-length leather coat from Oxfam, which I thought made me look like Geezer Butler. My mum had a different take. It was only after a year of people telling me the same thing that I came to accept that she might actually be right: the padded shoulders, pinched waist, faux fur collar and the particular arrangement of buttons meant it was unquestionably a woman’s coat, and if it made me look like anyone, it was Bet Lynch.

My teenage tunnel vision dismissed Watership Down as a cartoon about rabbits, soundtracked by Art Garfunkel and clearly aimed at girls; not the sort of thing a pimply, pubescent Prince Of Darkness should be watching, even if he was unknowingly experimenting with cross-dressing.

Eventually, I ditched the coat but never recovered sufficient good sense to read the book or watch the film. Now, at the tender age of fifty-two, I’m desperate to put that right because I’ve been utterly bowled over by The Plague Dogs.

The Plague Dogs was Adams’ third novel. It tells the story of Rowf and Snitter, a big black mongrel and a little fox terrier who escape from a vivisection laboratory and make for the hills. At first, they incur the wrath of local farmers whose sheep they kill in an attempt to stave off starvation, but when an unscrupulous tabloid journalist, with a remit to embarrass the Secretary of State, gets involved, the story snowballs into a national furore, inflamed by an unsubstantiated allegation that the dogs could be carrying the bubonic plague. Questions are asked in the House, and the army is despatched to assassinate our innocent canine heroes.

It’s a rollicking adventure, an emotional rollercoaster and a biting political satire, but it’s also a passionate anti-vivisection statement. The cruelty and utter pointlessness of the procedures beggars belief, yet in his preface, Adams confirms that “every ‘experiment’ described is one which has actually been carried out on animals somewhere”.

It’s not a wholly one-sided picture, however. No sooner do we sense that Stephen Powell, a young scientist at the lab, is becoming increasingly uncomfortable with his work than we learn his young daughter is suffering from a terminal illness. It’s Powell’s desperate hope that animal research will yield a breakthrough before it’s too late to save her.

And yet the experiments are as barbaric as they are futile: Rowf has been subjected to a succession of near drownings, repeatedly submerged in a tank of water and only revived once he goes limp and sinks to the bottom. He has never known men other than the “whitecoats”. Despite his traumatic experiences at their latex-sheathed, disinfected hands, he still wants to be a good dog and please his masters; but he can’t face another day in the immersion tank. Snitter’s story is even sadder as he remembers a blissfully happy home life before his beloved master was knocked down by a lorry—an accident for which Snitter blames himself. The details are incoherent because the whitecoats have cut open Snitter’s head and rewired his brain to confuse the subjective and the objective. As a result, he suffers disorienting confusion and bouts of vivid hallucination. In his lucid moments, however, he’s smart. Smart enough to notice an unsecured catch and a loose bit of wire. Smart enough to figure out how he and Rowf might escape. When they do, it’s into a landscape very familiar to lovers of Lakeland.

The real Lawson Park was a remote fell farm on the eastern bank of Coniston Water; now it’s an artists’ retreat, run by Grisedale Arts. Never in reality has it been any sort of research lab, but it’s the fictional location of Animal Research (Scientific and Experimental), A.R.S.E. for short—the setting for Rowf and Snitter’s inhumane treatment in the interests of science. When they make a break for hills, they find themselves in the Coniston Fells, which Adams renders in rich detail.

My friend, Gillian, grew up in Coniston and suggested I should read the book for this very reason. “You could walk the routes and write about it in your blog”, she said. It sounded a fine idea, so I searched for The Plague Dogs on Amazon. I was one click away from buying the current paperback, when a customer review caught my eye.

“Before buying a copy of The Plague Dogs I took out a request from the library and ended up with an older edition. It was a wonderful hardback – the illustrations of the Lake District by the late Alfred Wainwright complimented Adams’ rich, vivid prose perfectly. Sadly though, the illustrations have been removed from this recent (2015) re-issue.”

The original hardback was illustrated by Wainwright? This was the edition I had to have. Google found me a second-hand copy for £1 + £3.99 p&p. It arrived two days later, and it looked wonderful. As well as hatched pencil drawings of the fells, there were eight characteristic route maps, rendered in the same part sketch, part map style, familiar to readers of AW’s Pictorial Guides. Indeed, for Wainwright fans, the book is a welcome supplement.

Wainwright was also an ardent anti-vivisectionist, and Adams says in the preface, “I seriously doubt whether an author can ever have received more generous help and co-operation from an illustrator”.

It’s in the early hours of a crisp autumn morning that Rowf and Snitter make good their escape. As the sun rises, they find themselves on the wild expanse of Monk Coniston Moor. Snitter is appalled. What have the men done? “They’ve taken everything away, Rowf—the roads, cars, pavements, dustbins, gutters—the lot. How can they have done it?”

The pair head down hill, cross the road and trot along the shore of Coniston Water. Here, Snitter is entranced by how still everything looks beneath the surface. Would his racing mind be as calm if he was in there? Rowf is terrified of the water, however, and remonstrates with his friend not to go in. “You can’t imagine what it’s like”.

Buoyed up by the sight of houses in the distance, the fugitives head along the road to Coniston village, but Snitter is overcome by one of his turns and has to lie down. A car stops, and two men get out to help, but when they try to pick Snitter up, Rowf assumes they are trying to recapture him and return him to the lab. He springs forward in attack and frees his friend, and the pair run for the village.

Rowf is understandably wary of men, but Snitter knows they’re not all like the whitecoats. On the streets of Coniston, he remembers shops. In his former life, these were places where people made a fuss of you and gave you treats. They try their luck in a butchers’ shop. The friendly but fastidious proprietor comes over. He means no harm and crouches to greet them, but his hands smell of disinfectant, he’s carrying a knife, and a pair of scissors protrude from the pocket of his WHITE COAT.

The two dogs flee up the walled lane beyond The Black Bull and out into the Coppermines Valley. On page 46, Wainwright documents their route, and on a bright November morning, this is where I pick up the trail.

Above Miners’ Bridge, the Old Man, Brim Fell, Swirl How and Wetherlam are ablaze, lit orange and blue in the first light of morning, just as Adams describes. I follow the track beside Low Water Beck to the Youth Hostel. Here I pause to check the map and imagine the scene. As I do, I hear a faint patter and something soft brushes my leg. It’s a black dog. After a startled double take, I make friends with an excitable border collie, who can’t hang about because he’s just spotted a big stick. His loving owners are laughing as they catch us up, “that’ll be the first of many, today”, the woman grins. Proper masters, as Snitter might say.

Border Collie, Coniston Youth Hostel — Rowf?

The main track swings right along the lower slopes of the Black Sails ridge, but I turn left towards the quarry, its marbled face, a dark daubed cubist canvas below the tufts of russet scrub. The road is blocked by a gate. It’s padlocked, but perhaps only to vehicles. Beyond, the word “Footpath” has been scrawled on a slate. I climb the bars and start up the faint grassy trod to which it points. Above the spoil heaps, I join the path from Crowberry Haws. Two slate cairns stand guard, and a Herdwick grazes unperturbed.

I cross the footbridge into Boulder Valley and pause by the Pudding Stone. The path continues to Levers Water, but immediately above, Brim Fell towers, craggy and intimidating. Anxious to escape the reach of man, it’s up these steep slopes that Rowf and Snitter start. I feel duty-bound to follow, although perhaps not strictly in their paw steps. They have me at a disadvantage: for one, they’re dogs—replete with four legs and a low centre of gravity; and two, they’re fictional, so they have the intrinsic power to do whatever Adams’ imagination invents. He has them climbing on the line of Low Water Beck, clambering up its boulders, skirting its shallow falls and splashing through its brown pools. His co-conspirator, Wainwright, plots the path. But from where I’m standing, the beck is an angry cascade, crashing down a severe ravine. I see no way up for a meagre middle-aged mortal.

In his Pictorial Guide, Wainwright advocates a mildly more man-friendly route, which climbs a grassy rake on the opposite side of the crag. I detect what might be a path leading to the crag’s foot. It proves something of a mirage, and I’m quickly off piste, but I track around the bottom of the rocks toward the strip of mossy green. A brief scramble provides a short-cut, and soon I’m clambering up steep and slippery grass. It’s hard going, requiring hands and feet, and I can see why AW advises against it for descent. But it’s not far from the beck, so I feel I’m being as true as I can to the plot, and besides, I’ve always wanted to try this ascent, AW promises it furnishes a fuller understanding of the fell’s true structure.

Simon's Nick, Coppermines Valley — Simon’s Nick, Coppermines Valley

I reach an old mine level, where the curled ends of rail tracks protrude like vestigial limbs. Here a path of sorts emerges; it’s a steep rocky staircase, skirting a river of loose stone, but the going is firmer than before, if no kinder on the calves. Eventually, the gradient relents, and I’m confronted with a vision that fills Rowf with dread—the limpid corrie tarn of Low Water, a pool of primeval tranquility, a dark oasis of serenity below the plunging slopes of the Old Man, but to poor traumatised Rowf, a huge, menacing immersion tank. He races away up the slope to the summit of Raven Tor. I sip coffee, catch my breath, and just as Snitter does, I follow.

Looking back down from Brill Fell ascent

Beyond the summit, the ground drops abruptly to Levers Water. Strangely, despite its larger size, the tarn holds no fresh dread for Rowf. It’s just as well because Snitter spots a line of sheep by the western shore. They’re being pursued by two border collies and a man. The man is whistling and calling to the dogs, encouraging them to chase the sheep, and the dogs are listening and responding. Man and dog, working as a team. Here at last is a proper master. All he and Rowf have to do now is bound down the fell side and join in. If they chase the sheep too, perhaps the man will give them a home, and food, and a happy life away from the whitecoats.

My descent is more circumspect. The slopes below the col look precipitous. In his Pictorial Guide, AW shows a route beside Cove Beck. I follow a narrow trod over the spine of Gill Cove Crag, in the shadow of Brim Fell’s summit, and as the contours diverge, I descend through increasingly soggy ground. Eventually, I hear the sound of running water, and the beck appears, a narrow scar trickling elusively through scrubby moorland.

Beyond, a cairn marks the path up to Levers Hause. Between here and the waterline, Rowf and Snitter make their ill-fated attempt to gain a master by chasing his sheep. Luckily, his sheep dogs reach them first and vent their anger in broad Cumbrian:

“Art out of the minds, chasing yows oop an’ down fell, snappin’ an’ bitin’?”, fumes one. “Wheer’s thy farm at? Wheer’s thy master?”.

When Snitter explains, “we haven’t a master. We want to meet yours”, the answer is unequivocal: “He’ll fill thee wi’ lead”.

I turn and follow the forlorn fugitives’ escape route up steep rocky steps to Levers Hause. Here, the dogs ruefully acknowledge they’ll find no welcome in the world of men. They must become wild animals. Still stoked from the chase, Rowf attacks a mountain ewe. He makes the kill, but takes a fair battering in the process. With his hunger satiated, exhaustion takes hold, and the big black mongrel lies down in the bog myrtle to nurse his injuries. Meanwhile, Snitter despairs at the bleakness of their prospects. As his synapses start to misfire, he scampers down the steep slopes to the Duddon Valley in a firestorm of neurotic confusion.

A right of way runs from Levers Hause to the far shore of Seathwaite Tarn. Or at least it does on the map. There’s little sign of a path on the ground, and the gradient is frightening. I’d have to be as mad as Snitter to attempt it, and yet somehow, I do. I climb down a little way to test the going, stepping sideways from grassy tuft to stony shelf. Emboldened, I soldier on. Part way down, I imagine a path, but it’s just a loose spray of scree, too shallow to offer much support. Zigzagging avoids the severest sections, and earlier than I’d reckoned, I’m approaching the tumbling waters of Tarn Beck. Here, the ground grows marshy; the valley bottom is a quagmire, red with reed beds as it reaches out to Seathwaite reservoir. I keep to a contour to stay out of the worst. The sun is streaming over Dow Crag, bleaching the fell sides and blinding me with its glare.

Here, Snitter does what I decline to do. Lured by the fevered machinations of his scrambled mind, he breaches the beck and splashes through the boggy ground on the other side. The kindly man in the brown tweed coat that he imagined was there is an illusion, but as the fit passes and the world comes back into focus, he spots something else. Something welcome. Something real. Just shy of the reservoir he finds a small spoil heap:

“On top was a levelled space of turf and small stones, perhaps half the size of a lawn tennis court. It was completely empty, but on the further side, where Great Blake Rigg, the south face of Grey Friar, rises like a wall was a symmetrical, dark opening, lined and arched with stones”.

I’m looking at it now (through binoculars). It’s an old level of Seathwaite copper mine, and in the book, it becomes a temporary home for Rowf and Snitter. Here, they meet the tod, a wily fox, well-versed in the ways of the wild. His savvy, calculating instinct for self-preservation contrasts markedly with the dogs’ innocent loyalty. He’s appalled by their naivety and sees them as a liability, likely to draw the attention of farmers and their shotguns. Yet, in Rowf he also sees a valuable asset: there’s not many a wild Lakeland beast can bring down a full-grown ewe. The dogs might have their uses after all, and an uneasy alliance is formed.

Short winter daylight hours dictate that here, for now, I must take my leave. But as I make the day’s last ascent out of lonely Dunnerdale and up to Goat Hawse, the peace is broken by an alarming bark, fuelled with feral bloodlust. A chilling chorus of murderous howls swells into an amplified echo, and on the lower slopes of Grey Friar, I make out a swarm of white dots moving fast across the fell. With binoculars comes comprehension: fuzzy points resolve into a pack of foxhounds. They’re coursing an aniseed trail. It’s profoundly unsettling because it’s a scene straight from the book. In all my years on the fells, I’ve never witnessed this, yet later in the story, Snitter sees the self-same thing. Only this time, it’s not aniseed they’re hunting… it’s the tod.

To be continued…

Read the second part of my journey along the path of the Plague Dogs here:

Here’s where the story ends

Fell Walk, General, History

Away from the Numbers

June 24, 2018 George Kitching 12 Comments

Grey Friar, Great Carrs, & Dow Crag from Seathwaite

It was to be my 100th Wainwright. Not quite halfway, but a minor milestone nevertheless. The day begins inauspiciously with a series of farcical calamities worthy of Basil Fawlty, but en route to the Seathwaite reservoir, the disarming beauty of the Duddon valley works its magic. After a splendid ridge walk, I celebrate in the rural charm of the Newfield Inn—the scene of a violent riot, 114 years ago, which ended in the fatal shooting of a navvy. Hard to believe these days, but I’m on my best behaviour just in case.

It’s not as if I was expecting fanfares, a red carpet and a Champagne breakfast on the terrace. That would be ridiculous—we haven’t got a terrace. But on a morning that marked a minor milestone in my fell walking career, I did, at least, want things to go smoothly.

It wasn’t to be. I awoke to find the cat had thrown up over the sofa cushions. He’d even managed to hit a car rug perched over the arm. The scatter pattern suggested he’d been projectile vomiting while spinning like a whirling dervish. Was he violently ill or possessed by a legion of demons? It didn’t look like it.

I’ve seen enough episodes of CSI to know how to work a crime scene, and here I found grass and a sizeable clump of matted fur (quite possibly not his own). Cat lovers will know that grass is an emetic which cats imbibe deliberately to shift fur balls. The ensuing upchuck is relatively controlled, so this extravagant distribution was clearly a matter of choice. The proud perpetrator was now standing by his bowl, demanding his breakfast.

After half an hour of intensive fabric cleaning, I stuffed Wainwright’s Pictorial Guide to the Southern Fells into my rucksack and set off for Seathwaite.

I’ve lived in Cumbria for twenty years and I’d never been into the heart of the Duddon valley. I’ve gazed down on it many times from the tops of the Coniston fells, ever struck by its lonely beauty. In autumn, the Seathwaite reservoir had shone like a sapphire on a baize of burnished gold. Today, the fields and trees are a swatch of fresh June green, licked into life by the early morning sun. I could easily lose myself in carefree reverie, but I need to concentrate because I’m not entirely sure where I’m going.

After Seathwaite, the map shows a fork in the road, with the right-hand prong giving way to the old quarry track that leads up to the Walna Scar Pass and on to Coniston. The reservoir track starts from the same point. Sure enough, the road forks where expected and there is even a sign saying “Coniston, unfit for cars”. But as the winding single-track road narrows to no more than my car width, I start to question why it is I think there is off-road parking at the end of it.

The road ends abruptly in a gate—with no parking space anywhere to be seen. A farmer on a quad bike is approaching from the other side. He clearly wants to come this way. I recall a distinct lack of passing places and the road is too narrow for a three-point turn. There’s nothing for it but to reverse back to the farm I passed quarter of a mile back.

Parking sensors are wonderful things, but they don’t know the difference between dry stone walls and cow parsley. Given the abundance of foliage overhanging the verges, my dashboard is lit up like a Christmas tree and my ears are ringing from the continuous high-pitched beep. I reach the farm, but I’m too close to the opposite wall to back in. I effect a painfully faffing five-point manoeuvre, while trying to avoid the eye of the farmer, who I sense is laughing heartily. Eventually, I manage to let him past. He gives a cheery wave and speeds off down the lane, no doubt dying to get home and tell his wife all about his encounter with Mr Bean.

I follow him back to the Seathwaite road. On the edge of the village, there are four parking spaces. One is still free. Perhaps my luck is changing.

It’s a rash hope. I open the hatchback to find the top isn’t properly on one of my water bottles and it’s emptied itself entirely into one of my boots—the one I’d put my socks in. I pour 500ml of water out of the boot and wring out the socks as best I can, then I squelch one and a half miles back up the road to the gate. I go through and just on the other side, I find the parking spaces.

Then, I step in a cowpat.

As I tramp up the reservoir track, I feel every bit like Basil Fawlty scouting around for a branch with which to give the day a damn good thrashing… But subconsciously, I start to change gear. There’s a song going around in my head. It’s The Waterboys’ Don’t Bang the Drum—it was playing on the radio on the way here:

“Here we are in a fabulous place
What are you gonna dream here?
We are standing in this fabulous place
What are you gonna play here?
I know you love the high life, you love to leap around
You love to beat your chest and make your sound
But not here man – this is sacred ground
With a Power flowing through
And if know you you’ll bang the drum
Like monkeys do”

The song warns of being so pumped up with our own self-importance, or perhaps with peeved indignance at the banana skins life leaves littered in our path, that we can stand in the most astounding of places and fail to realise.

I stop to apply sun cream, and I wake up to where I am. The epiphany strikes like an earthquake. A minute ago, the Duddon valley was a place of cowpats, frustratingly hidden car parks and wet feet. Now it’s a place of astonishing power and disarming beauty.

Across the valley, a conspiracy of sun and shadow renders the Scafells as an Art Deco railway poster—broad, flat, angular and stylised.

To the east, the sheer green slopes of Brim Fell, Dow Crag and Walna Scar form a colossal rampart to rend the valleys of the Duddon and Coniston. And straight ahead, rising over rippling foot hills, is the grassy dome of Grey Friar—the only Coniston fell I’ve yet to set foot on. Except, it isn’t really a Coniston fell at all. As Wainwright points put, Grey Friar belongs entirely to the Duddon.

Grey Friar from the Seathwaite reservoir track

Ticking off all the Wainwrights hadn’t been a goal. I was more interested in getting to know my favourites well—experiencing all their ascents and ridge walks. However, some gentle hectoring from my neighbours, Paul and Jeanette, convinced me that tackling the full 214 is a great incentive to explore new ground. They’re right, and since committing to the challenge, my knowledge of the peaks has grown exponentially.

I’ve climbed all the other mountains in this range at least twice and some (like The Old Man) as many as eight times. But Grey Friar, I’ve been saving. It will be my 100th Wainwright.

The OS map shows no path, but Wainwright sketches two that wend in parallel up the south western ridge. The first, a grass rake, is clearly visible from the track, but the intervening ground is marshy. AW suggests continuing to the reservoir and starting from just beyond the outtake channel. His second path is more direct and starts from the same place.

After a mile or so, I crest the hill and the long buttressed curve of the dam wall appears at the foot of dark shadowy slopes. As I reach the walkway that traverses the top, the sun slips behind a cloud, so now over the parapet, the dark waters stretch out—a long black placid pool, cool and inscrutable.

The reservoir’s tranquillity belies the violence in its construction. The ancient tarn was dammed in 1904, to extend its capacity as a water supply. The summer was a scorcher; the work was hard, and tempers were frayed. In such a small and remote community as Seathwaite, tensions were strained between locals and the labourers drafted in to sweat and toil. It would only take a spark to ignite the tinder.

In the event, alcohol proved the accelerant. According to Dick Sullivan’s book, Navvyman (Coracle Press, 1983), Owen Cavanagh had been drinking heavily since 9am. By noon, the landlord of the Newfield Hotel (now the Newfield Inn) judged he’d had enough. As Cavanagh’s rowdiness threatened to get out of hand, the landlord demanded he and his mates leave the premises. The men refused. They smashed up the pub and stole bottles of whisky, then they spilled into the street where they pelted the church and the vicarage with rocks. The publican, a barman and an engineer confronted the rioters with firearms. Shots were fired wounding three—fatally in Cavanagh’s case. The gunmen were arrested but later acquitted on the grounds their actions were legally justified in protecting property.

A primeval peace pervades now. The ghosts of rampaging navvies don’t haunt the fruits of their labours. I follow the walkway along the top of the dam and cross the footbridge over the main and auxiliary tarn outlets.

Between the crags of Great and Little Blake Rigg, Grey Friar’s slopes are more forgiving—grassy terraces peppered with rocky outcrops. Where Wainwright shows the start of his direct route, the tiniest of cairns hints at a faint path. I augment the cairn with a couple more stones—now you’ll have to blink a fraction longer to miss it.

In places, you have to rely on instinct and common sense to determine the line of the path. In others, it’s more pronounced, but nowhere is there any difficulty. A moderate pull up grassy slopes attains the ridge, and I make for the summit. Two cairns, a little way apart, stake equally convincing claims. Wainwright judges the north-eastern contender to be the true summit but concedes the south-western has the better views. He’s right, I pull myself up a rocky step and hunker down beside it to gaze across at Harter Fell and the Scafells.

A blue haze, like a sea mist, transforms the peaks into a mythical realm, where black spires, full of menace and foreboding, rise above dappled flanks, pretty and beguiling, and dark hollows harbour mysteries, old as the hills themselves.

One hundred Wainwrights under my belt is still seven short of halfway. Even so, it’s a ton, a nicely rounded sum, and it feels like an accomplishment. Grey Friars was a fine choice. It’s an underrated mountain, but away from the numbers, these are the kind that can reward the most. It’ll be a different story across on Scafell Pike. At this time of year, walkers will be arriving by the coach load. The Let’s Walk the Lakes Facebook group are tackling that today. Three weeks ago, I climbed Skiddaw with them. It was my first outing with the group, and a nicer bunch of like-minded people you couldn’t hope to meet. I wave in their direction and look forward to our next hike together. Then I set off for Great Carrs.

Just shy of the summit is a memorial cairn to the wreck of a Halifax bomber that crashed here in 1944. I’ve written about that at length in Ghost of Canadian Airmen, so I won’t repeat myself here, but the cairn with its cross and its plaque, together with the little wooden crosses people plant among the stones to commemorate their own departed loved ones, never fail to move me.

I don’t know how this looked in Wainwright’s day. It’s been rebuilt, so perhaps its appearance is more poignant now, but I find AW’s casual dismissal of it as a pile of aeroplane wreckage a tad perplexing. I’ve always suspected his curmudgeonly character was a slightly tongue-in-cheek persona: the bonhomie and humour in his writing suggests someone a little better disposed to people than is commonly supposed. But this throwaway line in the Grey Friar chapter does seem to reveal a more damaged individual, either lacking empathy, or perhaps, so used to burying his feelings he found them awkward to deal with when they surfaced.

I cross the shoulder of Swirl How and head over Brim Fell. The sky darkens, and it spots with rain. The hills are now a solemn grey, the Seathwaite reservoir a sombre sheen. But the dark clouds above Dow Crag are clearing and the ones overhead are insubstantial. They lack the ammunition for a proper downpour. Halfway to Dow Crag’s summit, the sun breaks through in triumph. By the time I reach the top, it’s glorious.

I read a number of walking blogs, and I enjoy Tessa Park’s, not only because it’s called Mountains and Malbec (which scores double points in my book), but because she champions the use of the ARSE CRAMPON. The concept is not entirely new, Wainwright remarks on the usefulness of the posterior, particularly in descent, but Tessa coined the phrase and she deserves a shout-out as I make liberal use of this piece of equipment in scrambling off the summit rocks.

Dow Crag’s buttresses and gullies are some of most dramatic features to be found anywhere in Lakeland. Its top is peppered with plunging vistas of heart-stopping beauty. Intrepid climbers perch on precarious outcrops high above the blue glimmer of Goat Water.

On the way down over Buck Pike and Brown Pike, Coniston Water is a hazy aquamarine wash to the east, while to the west, a band of barley forms a golden heart in the Lincoln green of the Duddon Valley. On reaching the Walna Scar Road, I turn right and descend past the old quarry into the pastoral perfection of Dunnerdale. Harter Fell looms ahead and Tarn Beck burbles over rocks as I meander lazily back to Seathwaite.

The Duddon valley from the Walna Scar track

The Newfield Inn is the epitome of a charming rural pub. I sit in its pretty beer garden, enjoying the warm sunshine and a cool hoppy pint of Mosaic from the nearby Foxfield brewery. It’s impossible to imagine this was the scene of a violent riot and fatal shootings one hundred and fourteen years ago.

I’m quite sure the landlord doesn’t keep a loaded firearm behind the bar anymore, but just in case, I return the glass, thank him kindly and take extra care not to break anything on the way out.

Fell Walk, General, History

Jimmy Hewitson and The Howitzer

April 8, 2018 George Kitching 10 Comments

Coniston, Tarn Hows, Black Fell & Holme Fell

“Some men become national heroes for superlative acts of bravery in service to their country. Others become heroes locally, because they stand up for the underdog when the establishment runs roughshod over them.” Jimmy Hewitson was both. I hear his remarkable story from his grandson, John. It’s a story of courage, compassion and the redemptive power of the Cumbrian landscape.

Courage

On the radio, a mother bravely describes losing her son in the Manchester Arena bombing. She says, “as soon as I heard about the explosion, I knew he was dead”. Some unfathomable maternal instinct tapped into something deeper than radio silence and sensed a severed emotional connection. By morning, she knew for certain that he hadn’t been admitted to any of the city’s hospitals, but it took a full twenty-four hours for the police to confirm her worst fears.

I can’t begin to imagine how those twenty-four hours felt. What that poor woman went through. What she is still going through. Every hour must have seemed an eternity, hoping against hope she was wrong, powerless do anything but wait for that dreadful knock on the door.

Benjamin Kirkby’s mother waited almost a year.

Ben was a Coniston lad and a quarryman. When World War One broke out, Ben, like many of his mates, answered Lord Kitchener’s call for volunteers. He enlisted in the King’s Own Lancaster Regiment (now the Duke of Lancaster’s) and was assigned to 1/4 brigade. Ben didn’t see action until the Somme, on 8th August 1916; after that, he would take no further part in the war. He was killed that day, as were two of his friends, Richard Usher and Sol Robinson. Richard and Sol’s deaths were confirmed within days, but Ben was reported as wounded, then wounded and missing. It was a full eleven months before his parents heard their son was dead.

Benjamin Atkinson Kirkby (courtesy of the Ruskin Museum)

I’ve just come from The Ruskin Museum in Coniston where curator, Vicky Slowe, has been showing me a file of remembrance; it has a page for each of the soldiers. A display case holds some personal artefacts: Ben Kirkby’s commemorative scroll; Richard Usher’s death penny and the official army communique to his parents, informing them of their son’s death. It also holds a painting by Richard of a boat on a lake, presumably Coniston Water. It looks peaceful and serene, evoking a long, lazy, carefree afternoon. A happy memory he held with him, perhaps, in the bitter, bloody turmoil of the trenches.

Ben Kirkby Commemorative Scroll (courtesy of the Ruskin Museum)

Beside the display case is a Matchless motorcycle that belonged to James Hewitson, another local lad who fought beside Ben, Sol and Richard in The Somme. Vicky and I were joined by John Dodd, James’s grandson, who recounted his grandfather’s remarkable story.

Some men become national heroes for superlative acts of bravery in service to their country. Others become heroes locally, because they stand up for the underdog when the establishment runs roughshod over them. Jimmy Hewitson was both. His grave lies in the Coniston churchyard, beside the fine Celtic cross of the war memorial, designed by W. G. Collingwood, who founded the Ruskin museum and designed Ruskin’s gravestone, as well as a series of war memorials including those at Hawkshead, Ulverston and St Bees, and the plaque on top of Great Gable.

Coniston war memorial — Coniston War Memorial (courtesy of the Ruskin Museum)

In 2018, on April 26^th, a new plaque was laid beside the Coniston memorial to mark the 100^th anniversary of the action that earned James Hewitson the Victoria Cross.

Hewitson survived the Somme; by 1918, he had been promoted to Lance Corporal, and his brigade had moved to Givenchy. A photograph in the museum shows a boy, seemingly too young for the military uniform he is wearing, but his courage and daring on April 26th were outstanding. He was recommended for the Victoria Cross in May 1918, and on 28^th June, this report appeared in The London Gazette:

“For most conspicuous bravery, initiative and daring action. In a daylight attack on a series of crater posts L/Cpl Hewitson led his party to their objective with dash and vigour, clearing the enemy from both trench and dugouts, killing in one dugout six of the enemy who would not surrender. After capturing the final objective, he observed a hostile machine-gun team coming into action against his men. Working his way round the edge of the crater he attacked the team, killing four and capturing one. Shortly afterwards he engaged a hostile bombing party which was attacking a Lewis gun post; he routed the party, killing six of them. The extraordinary feats of daring performed by this gallant non-commissioned officer crushed the hostile opposition at this point.”

King George V presented James with his Victoria Cross in France, on 8^th August 1918. It must have been a day of bittersweet emotions for him, as it was the second anniversary of the Somme action that killed his friends.

James Hewitson's Grave — James Hewitson’s Grave

Defiance

When the troops returned home in 1918, the mood was very different from the surge of patriotism that had seen so many enlist, four years earlier. The men bore deep scars, emotionally as well as physically. Today, we recognise post traumatic shock disorder. Back then, it was little understood and was known crudely as shell shock. Soldiers showing symptoms in the trenches had been shot for cowardice or desertion; demobbed squaddies kept shtum and suffered in silence. Many others were conspicuous by their absence.

The survivors were less reticent when it came to demanding change. Across Britain, there was a feeling among veterans that if they were going to risk their lives fighting for their country, they wanted a say in how it was governed. The Representation of the People Act of 1918 gave the vote, not only to women, but to all working-class men.

In a politically opportunist attempt to recapture some patriotic fervour and whip up a sense of triumphalism, The War Office presented many British towns and villages with war trophies. Ulverston received a German tank which stood at the bottom of Market Street until the 1960’s (the roundabout on the A590 is still known as “tank square”).

Coniston was presented with a German howitzer. It’s hard to imagine a more clumsy and insensitive gesture to a community licking its wounds and mourning its dead than to foist upon it the very instrument of its grief. It would be an understatement to say it didn’t go down well with the residents, especially those who had served. One evening, some young veterans were enjoying a pint when the conversation turned to the hated gun. Opinion was unanimous: they’d all spent enough time staring at the front of one of those things; there was no way they wanted to stare at the back of one now. After a few more pints, they decided to do something about it.

Jimmy Hewitson was at home, but such was his standing, they decided to run their plan past him, first. Jimmy’s wife answered the door; her husband had already gone to bed. When they told her what they were planning, she ran straight up the stairs to rouse him. It took no time at all for Jimmy to shout his response from the landing, “Give me a minute to get some pants on, and I’ll give you a hand”.

The howitzer had been placed outside the Ruskin museum. Being a field gun, it was on wheels. The men got behind it and, with a lot of heaving and shoving, managed to push it down the back street, past the Black Bull, over the bridge, and down to the lake. It must have been a struggle to keep something that heavy under control on the downhill stretch. They were aiming for the steep drop into the deeper water, but in the dark, they steered to the left of it, near the stone-built jetty, and pushed it into the shallows. It didn’t sink very far.

A half-submerged howitzer wasn’t quite the act of good riddance they’d been hoping for, so one of them suggested they have a word with Prissy. Priss was the captain of the Steam Yacht Gondola that ran daily excursions up and down the lake, acting as a water bus for locals and a sightseeing experience for tourists. He was only too happy to help and told them to be ready in the morning when he’d sail the Gondola past the spot on the way to her first pick up. The next day, they tied a rope around the gun and threw the end to Priss; he towed the howitzer out into the middle of the lake, where he left it to rust on the bottom.

John was only little when his grandad died, but his older brother recalls hearing the story first hand. John does remember seeing the howitzer exhumed sometime in the very late 1960’s or early 1970’s. It was pulled from the lake, loaded on to a trailer without fuss or ceremony, and swiftly driven away to sit in some private collection.

Purification and Renewal

In his post-war years, James Hewitson dug ditches, cut hedges and repaired roads, but he was hospitalised several times for shell shock and for surgery to remove shrapnel. Like many of his peers, Jimmy’s heroism came at a high personal cost. As a nation, we were ill equipped to help. Shell shock was seen as form of a neurasthenia: a supposed mechanical exhaustion of the nerves (it’s no longer a recognised condition in western medicine). Treatments were experimental and sometimes barbaric. We can only hope Hewitson escaped our worst medical follies. Certainly, he seems to have seen some improvement in later years: he was able to attend two regimental reunions and the museum has a wonderful photograph of him as an old man astride his beloved Matchless motorbike.

On leaving the museum, I walk down through a field of charcoal-fleeced Herdwicks to Coniston Hall, on the lake shore. In the soft grey light of an overcast afternoon, the rugged grandeur of this Elizabethan building appears sculpted from the earth, rough-hewn from Silurian stone, abandoned to ivy, repurposed as farm-house, a wide grassy ramp rising to its once opulent hall stripped of its oak panelling in its rebirth as a barn. Its conical chimneys stand tall and turret-like against a pale wash of sky.

Beyond is the lake, the water gently ridged with ripples, a soft bluish pewter, silver where it escapes the shadows. I walk the shore path to Torver, and most of the way to Brown How. Underfoot, the beach is mud, stone, moss and shale, overhung with a twiggy latticed canopy of naked branches, as if lightly sketched in soft graphite where they spring from heavily shaded trunks. I pass stone boat houses and little wooden jetties where an orange dinghy and an orange buoy are isolated splashes of colour amid the soft, earthy monochrome. To the north, is the high mountain drama of the Fairfield Horseshoe, stark in snow, a skyline rigidly defined, mighty and intimidating. But here, beside the water, is tranquillity.

I think of Richard Usher’s painting. Is this where he came in his head to escape the harsh reality of French battlefields? I think of the lake’s benevolence in swallowing the gun, and I think of James Hewitson’s battle with shell shock; I wonder if he found solace here. Across the beach lies the uprooted trunk of a silver birch, its branches outstretched like limbs reaching out to touch the water. The Coniston war memorial is a Celtic cross. In Celtic mythology, the birch was a symbol of purification and renewal.

Two days later, I’m at Tarn Hows. After some harsh weeks of winter, spring is here, pregnant with the promise of light and warmth. In a few hours, the circular shore path will be thick with sightseers, but at half past eight, I have it almost to myself. The water is a perfect mirror, rendering the dark curtain of trees in ink wash. The shore is a Ruskin watercolour of russet and brown. I pass a bench that bears an inscription: “In memory of Jane Aldworth (1959 – 1995) who loved this place”. Thirty-six is a tender age to die. War is not the only thief of youth. I wonder what happened to her; what comfort she found here. And again, I’m struck by the redemptive power of the landscape. Purification and renewal.

I leave the shore and climb a path that joins the Cumbria Way, which I follow east for a few hundred yards, then turn left to climb to the wilder summit of Black Fell. As a landscape yawns awake from hibernation, it’s possible to experience all seasons at once. Black Fell is a perfect podium for the humble punter. The Fairfield Horseshoe is draped in thin grey clouds, like wisps of Herdwick wool; on Red Screes and the Kentmere Fells, flecks of snow cover mellow tints of autumn. Windermere is a long stretch of sombre silver, Esthwaite Water, a white shimmer, disrupted by the hatched reflections of branches. Tarn Hows is a prelude to Coniston, pale blue beyond; Wetherlam is mighty, dark and wintery, and largely lost in cloud. As I watch, Bowfell and Crinkle Crags are swallowed entirely. And yet above, a summer-like sky is blue and streaked with the slenderest wisps of cirrus. A church bell rings below in Hawkshead, and I shed an outer skin, warm in spring sunshine.

I walk on through a landscape of seasonal transition, of spring skies and winter trees, of distant snow and imminent growth. I pass a farmhouse where a woman skilfully executes a Tai Chi kata. I cross the Coniston to Ambleside road and climb the track past a paddock of belted Galloways to Hodge Close quarry. Sheer faces of rock, tunnelled with caverns and streaked with rich veins of red mineral, fall to a deep pool of copper blue. Many of the King’s Own Lancaster volunteers were quarrymen. Some may have worked here. Now it’s a playground for climbers and divers.

Beyond the quarry, I follow a path up to the old reservoir, an azure jewel in a cloak of russet and straw grass. A boggy expanse leads to the craggier outcrops of Holme Fell. I scramble up a rock step to reach the summit. Coniston Water stretches out below, a languid sheen of white sparkle. I drink coffee from a thermos and think about Jimmy Hewitson and the howitzer.

In January 2014, the then Education Minister, Michael Gove, wrote a piece for the Daily Mail in which he attacked dramas such as Oh What a Lovely War, The Monocled Mutineer and Blackadder for perpetuating “left-wing myths” that depict World War One “as a misbegotten shambles – a series of catastrophic mistakes perpetrated by an out-of-touch elite”. His point seemed to be that criticism of the war and the military tactics somehow “denigrate(s) virtues such as patriotism, honour and courage”. As Philip Hedley pointed out in The Guardian, Gove was so keen imagine a left-wing conspiracy, he conveniently ignored a significant fact: “important source material (for Oh What a Lovely War) came from the Tory MP Alan Clark’s book, The Donkeys, the title of which came from the phrase describing the soldiers as ‘lions led by donkeys’.” Gove was being disingenuous: historians may argue over the donkeys, but the courage of the lions has never been in question.

Mr Gove may not agree with the wide-held view that The Somme was the “epitome of military futility”, but Vicky told me there is some evidence that Sol, Ben and Richard came under friendly fire. I’m not really sure it would have made much difference to their mothers whether it was German, French or English hands that fired the fatal rounds. They’d have been devastated it was anyone.

If you re-read Michael Gove’s piece now, you’ll find he’s keen to draw parallels with modern challenges: “migrant populations on the move, rapid social upheaval, growing global economic interdependence, massive technological change and fragile confidence in political elites” – themes he’s revisited several times since, in the context of the European Union. In retrospect, it reads very like a politician hoping to use the WW1 commemorations to lay the groundwork for a referendum campaign. Whatever your view on Brexit or contemporary politics, manipulating the memory of ordinary men who made an extraordinary sacrifice, is cheap. It’s political opportunism, not a million miles away from placing a German howitzer in front of a grieving population. If you’d pulled a stunt like that on men like Jimmy Hewitson, Michael, I have a sneaking suspicion they’d have told you to jump in a lake.

For a map and directions for the Tarn Hows, Black Fell, Holme Fell walk, visit WalkLakes:

https://www.walklakes.co.uk/walk_111.html

Fell Walk, General

White Winter Hymnal

January 28, 2018 George Kitching 14 Comments

The Old Man and the Raven

After days wrapped in a Christmas cocoon of lethargy and overeating, the sun returns and I head up the Old Man to savour the snow-capped splendour of the Coniston fells. On Raven Tor, I find my inner pagan.

Long before a star shone over a stable in Bethlehem, December 25th was the pagan festival of Midwinter – the winter solstice or the shortest day. It celebrated the rebirth of the sun god and an end to his lingering death, manifest in the ever-declining daylight. From here on, the days would lengthen, and warmth and fertility would return.

A deity who dies and rises again. That sounds somewhat familiar.

In our secular world, Christmas still bears the trappings of a Christian festival, albeit one at sea in a mass consumer bonanza. But we’re a nation of many faiths, and most of us are agnostic. That’s not to say that Christmas doesn’t mean anything. Even us unbelievers can get behind a season of peace and goodwill, and of course, we enjoy the bank holidays. But it resonates in a profounder way, which has everything to do with its pagan roots. However much our high-tech global reach divorces us from natural cycles, we can’t escape the seasons. We are of the planet and respond to its rhythms in a primal way that daylight bulbs, and strawberries in December, and 24-hour TV can do little to dissipate. Indeed, the December telly guides are full of retrospectives, celebrating the dying year: top 50 news stories, films, records, books, celebrity gaffes, you name it. We look back, take stock, make resolutions for the year to come; let go the stresses of the preceding months; make merry and recharge. Death and rebirth: a spiritual impulse as old as man.

In our Gregorian calendar, the winter solstice falls on December 21st, but let’s not split hairs. Christmas Day, 2017, is so overcast, it feels like the shortest day. Wrapped in a warm cocoon of family, lethargy and overeating, it’s full of good cheer and comfort and a welcome retreat from the dank, dark drizzle outside.

The sun god sleeps on through Boxing Day but makes an appearance the day after, when the temperature plummets and the snow falls, causing widespread traffic chaos. Unfortunately, we’re driving home to Cumbria. The roads on our route are clear, but it seems everyone in the country has picked this day to travel. With diversions and roadworks, we spend nine hours in a nationwide traffic jam.

We arrive back on Wednesday night, unpack, light the fire and put our feet up. I’m due in work on Friday but have tomorrow free. The forecast is clear, cold and sunny. It’s time to break out of the cocoon.

I wake later than intended, stuff warm layers into a rucksack and head for Coniston. I park in the village and head up the track beside the Sun Inn, a fitting temple to the god who’s very much in evidence today. I make a mental note to pop in later and offer my devotions.

The path climbs beside the waterfalls of Church Beck, passes Miners’ Bridge, and emerges from the trees into dazzling light at the foot of the Coppermines valley. Straight ahead, beyond the spoil heaps of the slate quarry, stands Raven Tor, the spur that juts out from Brim Fell and separates the two mountain corrie tarns of Low Water and Levers Water. Low Water lies to its left, enclosed by Brim Fell and the Old Man; Levers Water to its right, enclosed by Swirl How and Wetherlam. The mountains are cloaked in snow. It’s enough to make your spirit soar.

I follow the path to Crowberry Haws and join the quarry track up the Old Man. This is the tourist route. The “back way”, by Goats Water, under the imperial cliffs of Dow Crag, boasts the greater natural splendour. By contrast, this route reveals the scars of industry. Even so, it holds interest. Only the fallen tower of the aerial tramway and its rusting cables, slumped across the path like slain iron snakes, are foreign bodies. Everywhere else, human intervention has simply shaped and rearranged what is naturally here. A neat wall of slate encloses the track on the approach to the old quarry, where stone buildings lie in tumbledown ruin. Slowly the Old Man reclaims what is his, erasing our imprint, and reasserting his natural form. His scars are healing. In a thousand years, there will be little trace of us. For now, there is heritage, softened by the elements and slowly integrating back. This was once a thriving industry that supported the village below; testimony, if you like, to the Old Man’s benevolence to those at his feet.

Slate quarry ruins - The Old Man Of Coniston — Slate quarry ruins – The Old Man Of Coniston

Slate Quarry - Old Man of Coniston — Slate Quarry – Old Man of Coniston

Beyond the quarry, a stream has turned the steps to ice. A few of the ill-equipped soldier on, seeking out the snowy edges. Others turn back. The rest of us sit down and pull Microspikes over our boots. Once attached, the going is easy. There is a satisfying crunch as the little teeth bite into the ice and hold firm.

By the time I reach Low Water, the hand of man has withdrawn and the landscape is altogether wilder. Today, it is a realm of shadows, where dark waters ripple in vivid contrast to the snowy slopes that surround. Here and there, the sun god penetrates and turns the water bronze. I walk along the shore and stare up at Raven Tor, a bright and regal perch, swathed in a thick cloak of virgin snow.

I return to the main path and climb the steep zig zags that lead to the Old Man’s summit. In places, the path is a uniform sheet of ice and I watch a spike-less man opt instead for the snowy slopes. We meet where he re-joins the stone pitching. He bemoans the fact the mountain is steeper now than five years ago. I smile, and he recounts his last walk in here in snow. He didn’t have spikes then either, so to avoid coming back down this icy section, he made a round of Brim Fell to Raven Tor, then found a way down its flanks to Low Water. I trace his route with my eyes and a vague notion hatches into a plan.

With height, the lower reaches of Levers Water appear beyond the Tor; a second dark pool to balance Low Water; two black eyes to the Raven’s nose. Beyond, the snow-kissed summit of Wetherlam rises from an umber midriff.

The sun god reigns supreme on top. Out from under the Old Man’s shoulder, the light is magical; the god himself, a white star in an expanse of azure. Below the blue, a fluffy blanket of cloud is trimmed in soft yellow. Golden rays sparkle in the crystalline snow. The summit’s beehive cairn is an altar where hooded figures bow to Sol Invictus, the unconquered sun, a deity reborn in youthful vigour.

Beyond the trig point, the snow-capped ridge sweeps on over Brim Fell. A few well-wrapped wanderers are hastening this way. I’m the only one striding outward. Its soon becomes apparent why. A different elemental force takes charge on Brim Fell. A bitter wind sweeps over the Duddon valley from the Irish Sea, blowing stinging snowflakes in horizontal sheets. Despite a hood, a hat and a tightly wound woollen scarf, my face takes a lashing and I’m buffeted by gusts. It’s brutal but exhilarating. Past the summit cairn, I hurry toward the edge. Once over the parapet and on to the Raven’s outstretched wing, I’m protected, and I pause to drink in the scene.

Coniston Fells ridge - Scafells behind — Coniston Fells ridge – Scafells behind

I’m entirely alone. A few small silhouettes of people are visible on the Old Man’s summit, but here is virgin territory. Well almost. I find one set of footprints and follow them for a short way. For a brief minute, I glimpse a hooded figure on the slopes below, just above the shore of Low Water. But in a blink, he’s gone, and soon after, so are his tracks. The sun dances over the untouched snow, knee-deep now. I imagine I’m exploring uncharted ground as I descend the Raven’s wing to her shoulder, following the line of rocks and grassy tufts that just protrude, in the hope of avoiding unseen fissures. I climb the Raven’s neck to the cairn perched on her head. Across Levers Water, Black Sails ridge stands proud, a muscular right arm to the head of Wetherlam. The amber rocks of the Raven’s cairn crown her white mantel. There’s about two hours of daylight left but the light is already softening, assuming the warm glow of afternoon. I’m toasty from the exertion, but after five minutes of taking photos, I’m blowing into my gloves to warm my frozen hands.

The snow has drifted into soft deep blankets on the slopes that fall away to Low Water. I follow a tinkling stream for most of the way down, then veer left for a gentler descent. At the bottom, I leap a beck at its narrowest point and climb to the shore path, where I stood earlier. Cold, dark and tranquil, Low Water is a pool of primeval mystery, snugly enclosed in the arms of the Old Man and the Raven.

Low Water - Old Man — Low Water – Old Man

I cast a last reverential glance at these snow-clad Titans then return, past the quarry, to the world of mortals. In the Sun Inn, a fire crackles in an old, black, cast-iron range; a tiny Sol Invictus bestowing light and warmth as the sky outside darkens. I sup a welcome pint of Loweswater Gold and watch the flames dance around the logs. I’ve never thought of myself as religious, but today I’m in touch with my inner pagan.

Art, Fell Walk, General, Ghost Story, History, Natural History

Ghosts of Canadian Airmen

July 16, 2017 George Kitching 21 Comments

Wetherlam, Swirl How & Great Carrs via Steel Edge

An Andy Goldsworthy sheepfold and the wreck of a wartime bomber bookend a thought-provoking walk over the Coniston fells, ascending Wetherlam by a route that evaded Wainwright.

Sheep Folds

Good art transforms a space. It introduces something new, often forged from foreign materials like canvas, paint, bronze or stone and worked into a form that redefines and enriches its setting. It can bring the outdoors in, or life to a sterile cityscape.

But placing artworks in natural settings can be problematic. The Countryside Code compels us to leave no trace of our presence, so the notion of introducing something man-made is counter-intuitive. Even given an artist’s skill in complementing their surroundings, it seems somehow arrogant to assume we can improve on nature.

And yet we do this all the time. Agriculture and horticulture are both attempts to instil an artificial order on the natural world, editing out the bits we don’t want and cultivating the bits we do. Why should a well-tended flower bed be somehow less of an aberration than a sculpture made from concrete and steel? Perhaps because the garden showcases our stewardship of nature while the sculpture is an attempt to impose something alien upon it. A wheat field and a quarry are both examples of harvesting natural resources, yet one appeals to our sense of aesthetics while the other offends it. For all their artifice, the garden and the wheat field are part of nature; born of the wild, their order is ephemeral – if left untended, they will quickly revert.

We may embrace art in the landscape, but we often find it less controversial when in the ordered environment of a garden or sculpture park; or perhaps, like Gormley’s figures on Formby beach, where we expect human activity.

Placing artworks in wilder settings takes a special skill and sensitivity. It’s these qualities that have enabled Andy Goldsworthy to succeed. Goldsworthy seldom imposes foreign objects on the landscape. Instead he works with materials that are already there, like pebbles, petals, twigs and ice. His sculptures are designed to be washed away by waves, melted by sunlight, scattered by the wind. He simply reorganises parts of the environment so they assume a fleeting new identity then lets the natural order reassert itself. Usually, the only enduring evidence is photographic.

Some of his works persist a little longer however. In 1987, he was commissioned by Grizedale Forest to produce “Taking a wall for a walk”, a dry-stone wall that snakes in and out of the trees as if the pull of nature had compelled it to abandon its straight, utilitarian function and revert to a more organic form.

Andy Goldsworthy Touchstone Fold, Tilberthwaite

Goldsworthy’s initial thought was to source the stone from a quarry but as he started to work with wallers he learned that, where possible, they try to reuse existing stones. The significance of this was not lost on Andy, “Originally I felt that I shouldn’t even touch a mossy old wall, but then this idea of an old wall becoming a new one is very important to the nature of the way walls are made… What looks like randomly placed stone has been selected, touched, worked, and when one waller touches a stone worked by another waller he knows that. There’s a wonderful connection there.”

Again, it was intended that slowly the work should be reclaimed by nature – clad in moss, dislodged by wind, toppled by the spreading roots of trees – until it returned to the tumble-down disarray in which it started. Ironically, its popularity is such that it has been repaired several times.

1996 was The Year of The Visual Arts and Goldsworthy was commissioned to create an ambitious series of works in Cumbria. His proposal was to rebuild a large number of old sheepfolds turning each into a sculpture or using it to enclose a sculpture.

In some cases, the only evidence of the original sheepfold was its mark on an old map, but by the end of the project in 2003, Goldsworthy and his team had restored and transformed nearly fifty of them. Some enclose perfectly formed stone cones; others surround boulders carefully selected for their shape and form.

Before the emergence of the railways Cumbria was a major highway for the movement of sheep and cattle from Scotland to Yorkshire and Lancashire. Using old maps, Goldsworthy carefully traced these old “drove” routes and constructed sixteen sheepfolds as way markers, temporarily enhancing each in turn with a small red sandstone arch that he transported all along this ancient thoroughfare, assembling and dismantling it at every stage.

Elsewhere Goldsworthy worked in other features that define the landscape. A striking example is the large square Touchstone fold at Tilberthwaite. The four stone walls are inset with rectangles of local slate. Each rectangle encloses a circle. The slates in each circle are set at a unique angle, so each deflects light differently and collectively they suggest the cycles of the sun and the seasons.

Andy Goldsworthy Sheepfold, Tilberthwaite

Goldsworthy has a fascination with slate and its inherent layering. He describes it as “an extraordinary book of stone… as you lift one piece off another, you’re looking back in time really”.

As an artwork, The Touchstone Fold possesses the perfect geometric beauty of a Barbara Hepworth, while the way the sloping slate plays with sunlight makes your eyes dance in the way a Bridget Riley painting does. But Goldsworthy’s work has an even stronger sense of place. Tilberthwaite and Wetherlam (the mountain above) have been quarried for slate for centuries. In Thomas West’s 1779 Guide to The Lakes, he wrote of the Coniston houses, “all are neatly covered with blue slate, the product of the mountains”. Goldsworthy conceived his sheepfolds as a monument to agriculture, but The Touchstone Fold is much more than that. It is monument to the industry wrought from these slopes; indeed; a monument to the mountain itself.

Steel Edge

Steps lead up from the parking area opposite the sheepfold to a path that skirts the south-eastern bank of Tilberthwaite Gill. The first thing you encounter is a disused quarry. It’s easy to imagine quarries as ugly grey scars, but here rivers of colour run through the mineral rich rock; veins of red, yellow, green, blue and purple marbling its milky face.

From Elizabethan times, deep levels were driven into the sides of Tilberthwaite Gill to extract copper. Cheaper imports eventually killed the domestic industry, but the Victorians, who had just begun to revere the Lakeland landscape as a place of beauty, re-purposed the remaining wooden bridges as platforms for viewing the waterfalls. Along the path, the sound of the falls is ever present but sightings are confined to an occasional sparkle through the foliage.

The path crosses the head of the gill and fords Crook Beck. A little further along I come to a wooden footbridge. Crossing here would join the route that leads over Birk Fell to Wetherlam Edge. This is the ascent that Wainwright describes from Tilberthwaite, but I’m going to leave that for the way down. Up to my left lies a route that evaded Wainwright – the short, steep ridge of Steel Edge.

Steel Edge is named on the OS map but there is no indication of a path. A sketchy semblance of one does exist, however, and climbs beside an old mine level to the crest of the ridge.

Here rocky outcrops give way to a grass ramp. The ground drops steeply on either side but the back is broad, so doesn’t feel overly exposed. It’s a glorious May morning and the wintry landscapes of past months have transformed into a palette of new growth: the olive and umber of the lower fell side giving the way to the vibrant green of the lowland fields, dappled with darker clusters of forest as they roll east to Coniston Water. To the north, beneath a clear blue sky, blankets of cloud smother the hill tops like snow.

After a short while, the grassy slope terminates in a tower of rock and an easy but exhilarating scramble ensues. I climb through a gully of white stone, streaked with rust and patterned with intricate black lines like a Jackson Pollock painting. A rudimentary lesson in local geology at Coniston’s Ruskin museum suggests this might be Paddy End rhyolite, a glassy rock formed when fine particles of ash fused together in the intense cauldron of volcanic eruption some 450 million years ago.

Steel Edge delivers me to the largest of three tarns that skirt the Lad Stones route up from Coniston. I turn right to cover the remaining ground to the summit, pausing more than once to admire the magnificent views across Levers Water to The Old Man. On reaching the top, a jaw-dropping vista opens over Great Langdale to the Pike O’ Stickle. Wetherlam Edge drops away to Tilberthwaite below, but the day is young and I’m not done with the peaks just yet. I decide to press on over Swirl How to Great Carrs in search of a mountain top memorial to a tragic misjudgement.

Pike O'Stickle from Wetherlam — Pike O’Stickle from Wetherlam

LL505 S for Sugar

At 02:05 pm on October 22nd, 1944, Halifax bomber LL505, named “S for Sugar”, left RAF Topcliffe in Yorkshire on a navigational exercise. With the exception of one Scotsman, the crew were all Canadian. At 33 years old, navigator Francis Bell was by some stretch the eldest. Pilot John Johnson was 27 and the rest were aged between 19 and 21. By 6pm they had become disoriented in fog. Topcliffe dispatched a Mosquito, equipped with the latest night navigation gear, to guide the bomber home, but unaware of its proximity, Johnson took a fateful gamble. He decided to descend so Bell could get a visual fix on the ground. The Mosquito arrived just in time to see “S for Sugar” crash into the top of Great Carrs.

Locals rallied to reach survivors. It was an effort that would lead in time to the formation of Coniston Mountain Rescue Team. Sadly, on this occasion it ended in failure – all the crew had been killed.

The RAF posted sentries to guard the wreck until the munitions could be recovered. It was impractical to remove the plane itself, so it was broken into pieces and pushed down the steep cliff into Broad Slack where bits of it remain. Some items have since been salvaged and one of the Merlin engines is now on display at the museum in Coniston.

The undercarriage still lies on top of the mountain where a large cairn has been constructed and topped with a wooden cross as a memorial. A stone plaque bears the names the dead.

Memorial to the Crew, Great Carrs — Memorial to the Crew

I descend to Levers Hawse and climb the steep path of the Prison Band to Swirl How. From here a sickle shaped ridge curves round to the right over the plunging crags of Broad Slack to the top of Great Carrs. A little shy of the summit, the wreckage comes into view.

The cross stands proud against a dramatic skyline of Sca Fell and Scafell Pike. As I approach, a patch of red catches my eye. People have laid wreaths of poppies and placed little wooden crosses in amongst the stones. Some of the crosses have words scratched into them – people’s personal messages to their own departed loved ones: “Pete – gone but not forgotten”, “Dad, love Mick”. Others have photographs attached. It’s incredibly moving. I read the names and tender ages of the airmen and wonder if their families know this simple mountain memorial has become a shrine where strangers come to share their loss.

Mountain Top Memorial, Great Carrs — Mountain Top Memorial

Haunted

John “Jack” Johnson’s widow probably did, thanks to a curious tale involving a retired electrical engineer from Bath. Ken Hill was described as “level headed” and not hitherto someone likely to have given much truck to the supernatural, but after visiting the Great Carrs memorial and pocketing a small fragment of metal as a memento, he became convinced he was being stalked by the ghost of the dead pilot.

On the journey home, Ken felt a distinct presence in the car with him. Over time, the impression faded. Then on the day the Merlin engine was recovered from the fell side, Ken’s bedside radio started switching itself on and off at random. Hill was convinced that it was Johnson making his presence felt. Later the airman appeared, clear as day, leaving Ken with the conviction he was supposed to contact the pilot’s family. It wasn’t an easy task but after some years of trying, Hill finally tracked down Johnson’s widow, Nita, in Canada.

What Nita made of it, I don’t know. But whether or not you believe in the supernatural, love and loss are the deepest and rawest of human emotions and here, beside this hill top shrine, the strength of feeling is palpable.

Monuments

As I retrace my steps over Swirl How and Wetherlam the sun catches the slopes of Bow Fell and the Langdale Pikes, bathing them in a haunting light, and I think (with apologies to Rupert Brook) that if there must be a corner of a foreign fell that is forever Canada, there can be no finer spot.

Like many scrambles, Wetherlam Edge is probably easier to ascend than descend. I spend time weighing options, lowering myself gingerly down rock steps and scouting around for the path. Things improve as I near Birk Fell from where an obvious route leads down to Dry Cove Bottom (named with irony) and along the near side of Tilberthwaite Gill.

Back at the start, the shifting sun has affected a subtle transformation in the sheepfold, lighting slates that lay in shadow before. I recall Goldsworthy’s words about looking back in time – I’ve been doing that all day. It’s been a poignant, thought-provoking journey, punctuated by two monuments: one to a way of life; one to life extinguished; and both inextricably bound to the mountain.

For a route map and directions for this ascent and descent of Wetherlam, visit Walk Lakes. Please note, these directions do not include the detour over Swirl How to Great Carrs.

Fell Walk, History, Scramble

King of the Copper Mountains

November 14, 2016 George Kitching 4 Comments

Dow Crag via the South Rake, The Old Man of Coniston, Swirl How and Levers Water

Dow Crag is one of the finest rock faces in the Lake District. It is usually thought to be the preserve of climbers, but a hidden gully known as the South Rake affords the adventurous walker an ascent that doesn’t require ropes. In this post, I recount an exhilarating scramble to the top via this route and delve into the rich history of the Coniston area and the nearby port of Whitehaven, which was once so strategically important that it was invaded by the US navy during the war of independence.

Coniston, Copper and the Birth of a Sausage

When I was little I had a favourite book called The King of the Copper Mountains. The story hailed from Holland but the title could easily apply to Coniston. The Cumbrian village enjoys a commanding position at the foot of the copper-rich Furness fells, overseeing the lake that shares its name – a name that derives from the Norse for king.

Coniston Water has a history of aquatic adventure. It is the setting for Arthur Ransome’s Swallows and Amazons and it’s where Donald Campbell set four world water speed records between 1955 and 1964 in his boat, Bluebird. It was here too that he made his final, fatal attempt to reach 300mph in 1967.

Brantwood, on its eastern shore was home to John Ruskin, the leading Victorian art critic, philanthropist and social reformer. Ruskin declared the view from his house to be the “the best in all England”, although, to be fair, he said the same of Church Brow in Kirkby Lonsdale and described a vista on Friar Crag as the finest in Europe. In fact, when it came to lavishing his affections on superlative views, Ruskin was a bit of a brassy tart, but such was his love of Brantwood, that shortly before his death in 1900 he declined the opportunity to be buried in Westminster Abbey, preferring to be laid to rest in the peace of the Coniston churchyard.

Today Coniston thrives on tourism but its past prosperity owed much to slate and copper. Its copper mines reached their zenith in the early 19th century when the ore produced here was used to make coins and weaponry and even to clad the hulls of the naval fleet. The original shafts were dug two centuries earlier under the patronage of Elizabeth I, who licensed German engineers to spearhead the effort. The Germans brought more than mining expertise however. They also brought a recipe for a coarse, spicy, unlinked sausage which proved so popular with the locals that it evolved into a regional delicacy. Copper mining may be long gone but every Cumbrian butcher worth his salt can boast an award winning Cumberland sausage.

American Invasion

Spices were in steady supply due to Coniston’s relative proximity to Whitehaven. In its heyday, Whitehaven was a major port. Indeed, so great was its strategic importance that in 1778, at the height of the War of Independence, the town was subject to a hostile American invasion. The assault was the brain-child of John Paul Jones, a US naval commander of Scottish descent, who had spent his early working life in Whitehaven. Jones planned a raid to burn the boats in the harbour and inflict significant damage on British ships and supplies. But his enthusiasm was not shared widely among his crew and by the time the USS Ranger dropped anchor on the evening of April 22nd, they were close to mutiny; a situation that can’t have been helped by the arduous three hour row to the harbour.

The raiding party was divided between two boats. Jones himself took charge of one, which was to storm the Lunette battery and disable the guns, thus securing a safe passage back to the ship. Meanwhile, the other boat, led by Lieutenant Wallingford, was to make for the quay and torch the ships that were docked there. His crew must have rowed the final furlong steeling themselves for a bloody skirmish only to find that on a cold night in Whitehaven, with no prior warning of their arrival, there was no-one around to fight. Furthermore, their primary mission of burning the boats faltered when they realised they had no matches and the candles they’d brought had long since blown out. Faced with such compromising circumstances, Wallingford’s men did the only reasonable thing. They went to the pub, where they were soundly defeated by the strength of the local ale.

By the time Jones arrived back from the battery, half his men were three sheets to the wind. Undeterred, he improvised matches from strips of canvas dipped in sulphur and managed to start fires in a couple of the cargo holds. The invaders then beat a hasty retreat, hoping to watch the town go up in flames from the safety of their ship. Fortunately, the townspeople were one step ahead. With the Great Fire of London a recent memory, Whitehaven had invested in fire engines, which were swiftly deployed, successfully extinguishing the flames before they reached the rigging.

In the meantime, the guards that Jones had overpowered at the fort had freed themselves and got the guns back in operation. The resulting canon fire failed to hit the retreating rowing boats but the loud bangs can’t have done much for the burgeoning hangovers, kicking in among the crew. As the people of Whitehaven returned to their beds, Jones and his men sailed back to America with their tails between their sea legs, their bungled raid destined to become a footnote in the history books; everywhere but Whitehaven that is, where it is still a cause for celebration.

A Coward’s Route up Dow Crag

The Coniston Coppermines Valley is flanked on three sides by majestic mountains: Wetherlam, Swirl How, Brim Fell and the Old Man of Coniston. Beyond the Old Man lies Dow Crag which Wainwright described as one the grandest rock faces in the Lake District. Its cliffs and gullies are a big draw for rock climbers and it has a particular attraction for me as I can see it from my house.

The Crag is usually ascended along the ridge from the Walna Scar Pass or from Goat Hawse, which links Dow Crag to the Old Man. Its imposing cliffs, with the deep clefts of Great and Easy Gully, look unassailable to walkers although climbers class the latter as a scramble. In his Pictorial Guides to the Lake District, Wainwright pours gentle scorn on this classification, concluding that climbers have no concept of “easy” and suggesting that, while a walker might manage to get up that way if he were being chased by a particularly ferocious bull, it is best avoided on all other occasions. He does reveal, however, that there is a “coward’s way up”. It should be stressed here that Wainwright is using “coward” in an ironic sense to mimic the climber mindset that named Easy Gully, “Easy”, but nevertheless, he goes on to describe a steep and loose scramble that will take those, unaverse to putting hand to rock, all the way to the top of the crags without the need for ropes. At the time, it was unnamed – Wainwright proposed “the South Rake” and the moniker stuck.

My friend, Tim, is an ardent hiker with a taste for adventure, so what better challenge for the pair of us than to tackle the South Rake and walk the ridge to Swirl How? We set out with a little trepidation at the prospect, not least because I’d climbed the Old Man two weeks earlier and spied the Rake, which looked well nigh vertical from there. Reserving the right to declare discretion the better part of valour and take the soft option if necessary, we started up the steep tarmac lane from Coniston to the start of the Walna Scar road, a stony track leading to the Walna Scar Pass.

About a mile down the track, a wooden sign directs us right along the footpath leading to the Cove. With the southern slopes of the Old Man on one side and imposing face of Dow Crag towering ahead, we climb steadily to the copper-green tarn of Goats Water. On the far shore, scree slopes rise sharply to the foot of the Crag. A quick peek through the binoculars reveals a group of climbers perched below the main buttress and other tiny figures, further to the left, ascending diagonally up a gully that must surely be the Rake. Reassuring ourselves that we’re not the only ones daft enough to attempt this, we pick our way around the foot of the tarn and follow a faint path up the steep scree. As we reach the bottom of the Crag near the dark gash of Great Gully, the mountain rescue stretcher box comes into view imparting a frisson of foreboding. After a short pause to catch our breath and admire the view – Goats Water already seems a long way below – we tread around the base of the buttress to the start of the South Rake.

South Rake Ascent — Ascending the South Rake

Tim opts to go first, making his way gingerly up the steep incline. I follow at a safe distance, knowing the rocks are loose and easy to dislodge. To his credit, Tim does this only once. Patience and concentration are required at all times as solid holds are never guaranteed and it’s imperative to test the steadfastness of each step before putting your weight on it. It’s unnerving when successive stones give way under your grip but a little careful investigation eventually yields a firm ascent.

We pass the entrance to Easy Gully which reminds us we’re on the “coward’s route” but it certainly doesn’t feel like it when, about half way up, the gradient steepens further and it all seems more than a little exposed. Tim later confesses to have glanced down at this point and experienced a momentary wobble. It was only that I was concentrating so hard on where to tread that I kept my eyes ahead and was spared the same misgiving. Nearing the top, the gully forks and we opt for different routes, arriving on the flatter ground of the summit several yards apart. This is when the elation kicks in and for a few minutes we feel every bit the Kings of the Copper Mountain. The euphoria is only slightly dampened when we spy the climbers ascending the vertical cliff!

We walk on over Dow Crag and drop down to Goats Hawse where we bear right to ascend the Old Man. In contrast to the handful of walkers on the previous peak, ramblers are arriving here by the coach load. We forgo the overcrowded summit platform and break for a picnic overlooking Low Water before pressing on over Brim Fell and climbing to the summit of Swirl How.

Along the ridge the views south west to Seathwaite Tarn are striking; and across the Duddon Valley, Harter Fell honours its geological ancestry by looking every inch the volcano, a plume of cloud erupting from its peak. To its right, Sca Fell and Scafell Pike loom like great brutal rock giants locked in an eternal standoff across the ridge of Mickledore. On top of Swirl How, Crinkle Crags, Bow Fell, the Pike O’ Blisco and the Langdale Pikes hone into view and we take our time drinking in the aspect. To the south lies Morecambe Bay and to the east are Windermere and Coniston. Below is Levers Water, our next destination, which we reach by clambering down the rocky path of the Prison Band and turning right at Levers Hawse to reach the water’s edge.

Panic at Levers Water

Levers Water is a natural tarn that was dammed in 1717 to create a reservoir for the copper mines. It now acts as the water supply for Coniston itself. In order to raise the water level, the entrances to the neighbouring mine shafts had to be sealed to prevent the tarn from flooding the tunnels and turning the becks descending to Coniston into raging torrents. Rumour had it that, in one case, the builders had used a giant wooden plug – a story confirmed in the 1980’s when a group of cavers managed to locate the timber stopper.

Another caving party visited the plug in the early nineties and were shocked to discover an improvised explosive device wedged against it. The Bomb Squad was dispatched and managed to render the device safe, removing it to the nearby fell side where they carried out a controlled detonation. The Sunday Times postulated it was a weapon of terror, placed there by the IRA in an attempt to assassinate John Major, then Prime Minister, who was due to visit the area. The story was dismissed by the police who believed the makeshift bomb to have been the work of cavers, hoping to blast through to the next level, unaware of weight of water behind. The fuse had been lit but good fortune had intervened and it had petered out.

Best Defence

From Levers Water we make our way down through the Coppermines Valley to the Sun Hotel in Coniston for revitalising pints of Loweswater Gold. The bar and terrace are packed – proof that while his mines are consigned to history, the King of the Copper Mountains remains in rude health. Sadly, the years have treated Whitehaven less favourably. Its prominence as a port declined as the greater capacities of Bristol and Liverpool took over and today it is a modest coastal town, its glory years marooned in its nautical past.

These days the American invasion is commercial and cultural, with nearly all British cities sporting identikit chains like the ubiquitous Starbucks and MacDonalds. Ruskin would have hated this homogenization of the high street and the revival of the Laissez Faire Capitalism he railed so ardently against. But as a champion of the artisan, I think he’d approve of the Sun Hotel with its impressive array of locally sourced ales. Round the corner at the Black Bull, they even brew their own Bluebird Bitter. No corporate conformity here then, and if it’s true that history repeats, pubs well stocked with potent local brews might just prove our best defence.

The Giant and the Bower Maiden

The Spirit of a Smuggler

The Druid and the Immortal Raven of Dow Crag

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Raven Tor, Levers Hause and Seathwaite Tarn.

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Grey Friar, Great Carrs, & Dow Crag from Seathwaite

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Coniston, Tarn Hows, Black Fell & Holme Fell

Courage

Defiance

Purification and Renewal

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The Old Man and the Raven

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Wetherlam, Swirl How & Great Carrs via Steel Edge

Sheep Folds

Steel Edge

LL505 S for Sugar

Haunted

Monuments

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Dow Crag via the South Rake, The Old Man of Coniston, Swirl How and Levers Water

Coniston, Copper and the Birth of a Sausage

American Invasion

A Coward’s Route up Dow Crag

Panic at Levers Water

Best Defence

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Walks, stories and musings from the Lake District Fells